{"id":4680,"date":"2022-12-23T11:48:49","date_gmt":"2022-12-23T09:48:49","guid":{"rendered":"https:\/\/www.medialog-bg.com\/?p=4680"},"modified":"2025-03-05T03:48:42","modified_gmt":"2025-03-05T01:48:42","slug":"%d0%b2%d1%8f%d1%80%d0%b0-%d0%b0%d0%bd%d0%b3%d0%b5%d0%bb%d0%be%d0%b2%d0%b0-%d0%be%d0%b6%d0%b8%d0%b2%d1%8f%d0%b2%d0%b0%d0%bd%d0%b5-%d0%bd%d0%b0-%d1%80%d0%b0%d0%b7%d0%ba%d0%b0%d0%b7%d0%b0-%d0%b7%d0%b2","status":"publish","type":"post","link":"https:\/\/www.medialog-bg.com\/?p=4680","title":{"rendered":"\u0412\u044f\u0440\u0430 \u0410\u043d\u0433\u0435\u043b\u043e\u0432\u0430. \u041e\u0436\u0438\u0432\u044f\u0432\u0430\u043d\u0435 \u043d\u0430 \u0440\u0430\u0437\u043a\u0430\u0437\u0430. \u0417\u0432\u0443\u043a\u044a\u0442 \u0432\u044a\u0432 \u0432\u0438\u0434\u0435\u043e\u0438\u0433\u0440\u0438\u0442\u0435"},"content":{"rendered":"\n<p class=\"has-text-align-center\"><strong>BRINGING THE NARRATIVE TO LIFE. THE SOUND IN VIDEO GAMES<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-table\"><table><tbody><tr><td><strong>\u0434\u043e\u0446. \u0434.\u043d. \u0412\u044f\u0440\u0430 \u0410\u043d\u0433\u0435\u043b\u043e\u0432\u0430<\/strong><br>\u0424\u0430\u043a\u0443\u043b\u0442\u0435\u0442 \u043f\u043e \u0436\u0443\u0440\u043d\u0430\u043b\u0438\u0441\u0442\u0438\u043a\u0430 \u0438 \u043c\u0430\u0441\u043e\u0432\u0430 \u043a\u043e\u043c\u0443\u043d\u0438\u043a\u0430\u0446\u0438\u044f<br>\u0421\u0423&nbsp;\u201e\u0421\u0432. \u041a\u043b\u0438\u043c\u0435\u043d\u0442 \u041e\u0445\u0440\u0438\u0434\u0441\u043a\u0438\u201c<br>e-mail:&nbsp;<a href=\"mailto:ospasov@uni-sofia.bg\" target=\"_blank\" rel=\"noreferrer noopener\">v.angelova@uni-sofia.bg<\/a><\/td><td><strong>\u0410ssoc. Prof.&nbsp;<\/strong><strong>Vyara Angelova<\/strong><strong>, Dr. Habil<\/strong><br>Faculty of Journalism and Mass Communication&nbsp;<br>Sofia University &#8222;St. Kliment Ohridski&#8220;<br>e-mail:&nbsp;<a href=\"mailto:ospasov@uni-sofia.bg\" target=\"_blank\" rel=\"noreferrer noopener\">v.angelova@uni-sofia.bg<\/a><\/td><\/tr><tr><td><\/td><td><\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n<p><strong>\u0420\u0435\u0437\u044e\u043c\u0435: <\/strong><img loading=\"lazy\" decoding=\"async\" width=\"13\" height=\"13\" src=\"\">\u0422\u0435\u043a\u0441\u0442\u044a\u0442 \u0441\u0435 \u0437\u0430\u043d\u0438\u043c\u0430\u0432\u0430 \u0441 \u0440\u043e\u043b\u044f\u0442\u0430 \u043d\u0430 \u0437\u0432\u0443\u043a\u0430 \u0432\u044a\u0432 \u0432\u0438\u0434\u0435\u043e\u0438\u0433\u0440\u0438\u0442\u0435. \u041f\u0440\u0430\u0432\u0438 \u0441\u0435 \u043f\u0440\u0435\u0433\u043b\u0435\u0434 \u043d\u0430 \u0440\u0430\u0437\u043b\u0438\u0447\u043d\u0438 \u043a\u0430\u0442\u0435\u0433\u043e\u0440\u0438\u0437\u0430\u0446\u0438\u0438 \u043d\u0430 \u0437\u0432\u0443\u0446\u0438\u0442\u0435, \u043d\u0430 \u0442\u044f\u0445\u043d\u0430\u0442\u0430 \u0444\u0443\u043d\u043a\u0446\u0438\u044f, \u043a\u0430\u043a\u0442\u043e \u0438 \u043d\u0430 \u0432\u0440\u044a\u0437\u043a\u0430\u0442\u0430 \u0438\u043c \u0441 \u043f\u0440\u043e\u0446\u0435\u0441\u0430 \u043d\u0430 \u043f\u043e\u0442\u0430\u043f\u044f\u043d\u0435 \u0432 \u0438\u0433\u0440\u043e\u0432\u0430\u0442\u0430 \u0441\u0440\u0435\u0434\u0430. \u0417\u0430\u0449\u0438\u0442\u0435\u043d\u0430 \u0435 \u0442\u0435\u0437\u0430\u0442\u0430, \u0447\u0435 \u0437\u0432\u0443\u043a\u044a\u0442, \u0437\u0430\u0435\u0434\u043d\u043e \u0441 \u043e\u0441\u0442\u0430\u043d\u0430\u043b\u0438\u0442\u0435 \u0435\u043b\u0435\u043c\u0435\u043d\u0442\u0438 \u043d\u0430 \u0438\u0433\u0440\u0430\u0442\u0430 (\u043a\u0430\u0440\u0442\u0438\u043d\u0430, \u0441\u044e\u0436\u0435\u0442 \u0438 \u043c\u0443\u0437\u0438\u043a\u0430), \u043f\u0440\u0435\u0432\u0440\u044a\u0449\u0430\u0442 \u043f\u0440\u043e\u0446\u0435\u0441\u0430 \u043d\u0430 \u0438\u0433\u0440\u0430 \u0432 \u043e\u0441\u043e\u0431\u0435\u043d\u043e \u043f\u0440\u0435\u0436\u0438\u0432\u044f\u0432\u0430\u043d\u0435 \u0441\u044a\u0441 \u0437\u043d\u0430\u0447\u0438\u043c\u0438 \u0441\u043e\u0446\u0438\u0430\u043b\u043d\u0438 \u0438 \u043f\u0441\u0438\u0445\u043e\u043b\u043e\u0433\u0438\u0447\u0435\u0441\u043a\u0438 \u043f\u043e\u0441\u043b\u0435\u0434\u0438\u0446\u0438.<\/p>\n\n\n\n<p><strong>\u041a\u043b\u044e\u0447\u043e\u0432\u0438 \u0434\u0443\u043c\u0438:<\/strong> \u0437\u0432\u0443\u043a \u0432\u044a\u0432 \u0432\u0438\u0434\u0435\u043e\u0438\u0433\u0440\u0438\u0442\u0435, \u0437\u0432\u0443\u043a\u043e\u0432\u0430 \u0441\u0440\u0435\u0434\u0430, \u043f\u043e\u0442\u0430\u043f\u044f\u043d\u0435 \u0432 \u0438\u0433\u0440\u0438\u0442\u0435<\/p>\n\n\n\n<p><strong>Abstract<\/strong><strong>: <\/strong>The text discusses the role of sound in video games. Different categorizations of sounds, their function, as well as their relation to the process of immersion in the game environment are reviewed. The main author thesis is that the sound together with the other elements of the game (vision, narrative and music) make the gaming a special experience with significant social and psychological consequences.<\/p>\n\n\n\n<p><strong>Keywords:<\/strong> sound in videogames, soundscape, game immersion<\/p>\n\n\n\n<p>\u041c\u0435\u0434\u0438\u0430\u043b\u043e\u0433 13\/Medialog 13<\/p>\n\n\n\n<p>How to cite: <strong>\u0410\u043d\u0433\u0435\u043b\u043e\u0432\u0430, \u0412\u044f\u0440\u0430<\/strong>. \u041e\u0436\u0438\u0432\u044f\u0432\u0430\u043d\u0435 \u043d\u0430 \u0440\u0430\u0437\u043a\u0430\u0437\u0430. \u0417\u0432\u0443\u043a\u044a\u0442 \u0432\u044a\u0432 \u0432\u0438\u0434\u0435\u043e\u0438\u0433\u0440\u0438\u0442\u0435. \u041c\u0435\u0434\u0438\u0430\u043b\u043e\u0433 13\/2023, https:\/\/www.medialog-bg.com\/?p=4680<\/p>\n\n\n\n<p><\/p>\n\n\n\n<div data-wp-interactive=\"core\/file\" class=\"wp-block-file\"><object data-wp-bind--hidden=\"!state.hasPdfPreview\" hidden class=\"wp-block-file__embed\" data=\"https:\/\/www.medialog-bg.com\/wp-content\/uploads\/2023\/02\/1.-Angelova.pdf\" type=\"application\/pdf\" style=\"width:100%;height:600px\" aria-label=\"\u0412\u0433\u0440\u0430\u0436\u0434\u0430\u043d\u0435 \u043d\u0430 1.-Angelova.\"><\/object><a id=\"wp-block-file--media-f3d12cad-d333-4bf2-8c17-f112262e00d9\" href=\"https:\/\/www.medialog-bg.com\/wp-content\/uploads\/2023\/02\/1.-Angelova.pdf\">1.-Angelova<\/a><a href=\"https:\/\/www.medialog-bg.com\/wp-content\/uploads\/2023\/02\/1.-Angelova.pdf\" class=\"wp-block-file__button wp-element-button\" download aria-describedby=\"wp-block-file--media-f3d12cad-d333-4bf2-8c17-f112262e00d9\">\u0418\u0437\u0442\u0435\u0433\u043b\u044f\u043d\u0435<\/a><\/div>\n\n\n\n<p><strong>\u0418\u0437\u043f\u043e\u043b\u0437\u0432\u0430\u043d\u0430 \u043b\u0438\u0442\u0435\u0440\u0430\u0442\u0443\u0440\u0430<\/strong><\/p>\n\n\n\n<p><strong>\u0414\u0415\u041d\u0418\u041a\u0418\u041d<\/strong>, \u0410\u043d\u0442\u043e\u043d \u0410. (2013). \u041c\u043e\u0434\u0435\u043b\u044c \u0434\u0438\u0435\u0433\u0435\u0442\u0438\u0447\u0435\u0441\u043a\u043e\u0433\u043e \u0430\u043d\u0430\u043b\u0438\u0437\u0430 \u0437\u0432\u0443\u043a\u0430 \u0432 \u044d\u043a\u0440\u0430\u043d\u043d\u044b\u0445 \u043c\u0435\u0434\u0438\u0430. \u0412: \u041c\u0435\u0434\u0438\u0430\u043c\u0443\u0437\u044b\u043a\u0430, \u0431\u0440. 3. http:\/\/mediamusic-journal.com\/Issues\/2_5.html<\/p>\n\n\n\n<p><strong>\u041a\u041e\u041b\u0415\u0412<\/strong>, \u041d\u0438\u043a\u043e\u043b\u0430\u0439 (2023). \u0412\u044a\u0437\u0445\u043e\u0434\u044a\u0442 \u043d\u0430 \u0430\u0443\u0434\u0438\u043e\u0432\u0438\u0437\u0443\u0430\u043b\u043d\u043e\u0442\u043e \u0441\u044a\u0434\u044a\u0440\u0436\u0430\u043d\u0438\u0435 \u0437\u0430 \u043a\u043e\u043c\u043f\u044e\u0442\u044a\u0440\u043d\u0438 \u0438\u0433\u0440\u0438 \u0432 \u0441\u043e\u0446\u0438\u0430\u043b\u043d\u0438\u0442\u0435 \u043c\u0440\u0435\u0436\u0438. \u0412: \u041c\u0435\u0434\u0438\u0430\u043b\u043e\u0433, \u0431\u0440. 13., \u0441. 38-55 <a href=\"https:\/\/www.medialog-bg.com\/?p=4688\">https:\/\/www.medialog-bg.com\/?p=4688<\/a><\/p>\n\n\n\n<p><strong>\u041f\u041e\u041f\u041e\u0412\u0410<\/strong>, \u0421\u043d\u0435\u0436\u0430\u043d\u0430 (2023). \u041d\u0430 \u0440\u044a\u0431\u0430 \u043d\u0430 \u0438\u0433\u0440\u0430\u0442\u0430: \u201e\u041f\u0440\u0438\u0442\u0447\u0430\u0442\u0430 \u0437\u0430 \u0421\u0442\u0435\u043d\u043b\u0438\u201c. \u0412: \u041c\u0435\u0434\u0438\u0430\u043b\u043e\u0433, \u0431\u0440. 13, \u0441. 28-37. https:\/\/www.medialog-bg.com\/?p=4690<\/p>\n\n\n\n<p><strong>\u041f\u0415\u0422\u041a\u041e\u0412\u0410-\u0421\u0422\u0410\u041b\u0415\u0412\u0410<\/strong>, \u041f\u0435\u0442\u044f (2018). \u0420\u0430\u0437\u043a\u0430\u0437\u0432\u0430\u0447\u044a\u0442 \u043a\u0430\u0442\u043e \u043e\u0431\u0435\u0434\u0438\u043d\u044f\u0432\u0430\u0449 \u0435\u043b\u0435\u043c\u0435\u043d\u0442 \u043d\u0430 \u043f\u043e\u0432\u0435\u0441\u0442\u0432\u043e\u0432\u0430\u043d\u0438\u0435\u0442\u043e \u0432 \u0441\u0431\u043e\u0440\u043d\u0438\u0446\u0438\u0442\u0435 \u0441 \u043d\u043e\u0432\u0435\u043b\u0438 \u043e\u0442 \u043f\u0435\u0440\u0438\u043e\u0434\u0430 \u043d\u0430 \u0418\u0442\u0430\u043b\u0438\u0430\u043d\u0441\u043a\u0438\u044f \u0420\u0435\u043d\u0435\u0441\u0430\u043d\u0441 (\u0442\u0435\u043e\u0440\u0435\u0442\u0438\u0447\u043d\u0438 \u0431\u0435\u043b\u0435\u0436\u043a\u0438 \u0432 \u043f\u043e\u043b\u0437\u0430 \u043d\u0430 \u0430\u043d\u0430\u043b\u0438\u0437\u0430). \u041d\u0411\u0423: \u0415\u043b\u0435\u043a\u0442\u0440\u043e\u043d\u0435\u043d \u0430\u0440\u0445\u0438\u0432 \u043d\u0430 \u041d\u0411\u0423. https:\/\/eprints.nbu.bg\/id\/eprint\/3446\/1\/Petia%20Petkova-Staleva_Razkazvachat%20%281%29.pdf<\/p>\n\n\n\n<p><strong>\u0425\u0420\u0418\u0421\u0422\u041e\u0412\u0410<\/strong>, \u0421\u0432\u0435\u0442\u043b\u0430 (2008). \u0414\u0435\u0439\u0441\u0442\u0432\u0438\u0435\u0442\u043e \u043a\u0430\u0442\u043e \u043f\u0440\u043e\u0431\u043b\u0435\u043c \u0432 \u0441\u0446\u0435\u043d\u0430\u0440\u043d\u043e\u0442\u043e \u043f\u0438\u0441\u0430\u043d\u0435. \u041d\u0411\u0423: \u0415\u043b\u0435\u043a\u0442\u0440\u043e\u043d\u0435\u043d \u0430\u0440\u0445\u0438\u0432 \u043d\u0430 \u041d\u0411\u0423. https:\/\/eprints.nbu.bg\/id\/eprint\/768\/1\/Svetla_Hristova_seminar[1].pdf<\/p>\n\n\n\n<p><strong>\u0427\u0418\u041a\u0421\u0415\u041d\u0422\u041c\u0418\u0425\u0410\u0419<\/strong>, \u041c\u0438\u0445\u0430\u0439 (2016). \u041f\u043e\u0442\u043e\u043a: \u041f\u0441\u0438\u0445\u043e\u043b\u043e\u0433\u0438\u044f \u043d\u0430 \u043e\u043f\u0442\u0438\u043c\u0430\u043b\u043d\u043e\u0442\u043e \u043f\u0440\u0435\u0436\u0438\u0432\u044f\u0432\u0430\u043d\u0435. \u0421\u043e\u0444\u0438\u044f: \u0425\u0435\u0440\u043c\u0435\u0441.<\/p>\n\n\n\n<p><strong>COLLINS<\/strong>, Karen (2008). Game sound: an introduction to the history, theory, and practice of video game music and sound design. The MIT Press.<\/p>\n\n\n\n<p>Games Revisited.<\/p>\n\n\n\n<p><strong>HOROWITZ<\/strong>, Steve, Scott R. LOONEY (2014). The essential guide to game audio: the theory and practice of sound for games. New York and London: Focal Press.<\/p>\n\n\n\n<p><strong>J\u00d8RGENSEN<\/strong>, Kristine (2010). Time for New Terminology? Diegetic and Non-Diegetic Sounds in Computer. In: GRIMSHAW, Mark. Game sound technology and player interaction: concepts and development. IGI Global, pp. 78-97.<\/p>\n\n\n\n<p><strong>LILJEDAHL<\/strong>, Mats (2010). Sound for Fantasy and Freedom&#8230;In: &nbsp;<strong>GRIMSHAW<\/strong>, Mark (2010). Game sound technology and player interaction: concepts and development. IGI Global, pp. 22-43.<\/p>\n\n\n\n<p><strong>MARKS<\/strong>, Aaron (2001). The complete guide to game audio: For Composers, Musicians, Sound Designers, and Game Developers. Kansas: CMP Books<\/p>\n\n\n\n<p><strong>MUNDAY<\/strong>, Rod (2007). Music In Video Games. In SEXTON, Jamie (ed.) Music, Sound and Multimedia: From the Live to the Virtual. Edinburgh: Edinburgh University Press, pp. 51-67.<\/p>\n\n\n\n<p><strong>RICHARDS<\/strong>, Mark (2013). Diegetic Music, Non-Diegetic Music, and \u201cSource Scoring\u201d. https:\/\/filmmusicnotes.com\/2013\/04\/21\/diegetic-music-non-diegetic-music-and-source-scoring\/<\/p>\n\n\n\n<p><strong>STOCKBURGER<\/strong>, Axel (2010). The game environment from an auditive perspective. http:\/\/www.stockburger.at\/files\/2010\/04\/gameinvironment_stockburger1.pdf<\/p>\n\n\n\n<p><strong>SWEETSER<\/strong>, Penelope, Daniel <strong>JOHNSON<\/strong>, and Peta <strong>WYETH<\/strong> (2013). Revisiting the GameFlow Model with Detailed Heuristics. The Journal of Creative Technologies, (3). https:\/\/ojs.aut.ac.nz\/journal-of-creative-technologies\/article\/view\/16<\/p>\n\n\n\n<p><strong>\u0418\u0437\u043f\u043e\u043b\u0437\u0432\u0430\u043d\u0438 \u0438\u0437\u0442\u043e\u0447\u043d\u0438\u0446\u0438<\/strong><\/p>\n\n\n\n<p>Summa Linguae (2021). Voice Controlled Games: The Rise of Speech Technology in Gaming. https:\/\/summalinguae.com\/language-technology\/voice-controlled-games\/<\/p>\n\n\n\n<p><strong>WHO (World Health Organization)<\/strong> (2018). Inclusion of \u201cgaming disorder\u201d in ICD-11. https:\/\/www.who.int\/news\/item\/14-09-2018-inclusion-of-gaming-disorder-in-icd-11<\/p>\n\n\n\n<p>\u0414.\u043d. <strong>\u0412\u044f\u0440\u0430 \u0410\u043d\u0433\u0435\u043b\u043e\u0432\u0430<\/strong> \u0435 \u0434\u043e\u0446\u0435\u043d\u0442 \u0432\u044a\u0432 \u0424\u0430\u043a\u0443\u043b\u0442\u0435\u0442\u0430 \u043f\u043e \u0436\u0443\u0440\u043d\u0430\u043b\u0438\u0441\u0442\u0438\u043a\u0430 \u0438 \u043c\u0430\u0441\u043e\u0432\u0430 \u043a\u043e\u043c\u0443\u043d\u0438\u043a\u0430\u0446\u0438\u044f \u043d\u0430 \u0421\u043e\u0444\u0438\u0439\u0441\u043a\u0438\u044f \u0443\u043d\u0438\u0432\u0435\u0440\u0441\u0438\u0442\u0435\u0442 \u201e\u0421\u0432. \u041a\u043b\u0438\u043c\u0435\u043d\u0442 \u041e\u0445\u0440\u0438\u0434\u0441\u043a\u0438\u201c. \u0410\u0432\u0442\u043e\u0440 \u043d\u0430 \u043a\u043d\u0438\u0433\u0438\u0442\u0435 \u201e\u0421\u043e\u0446\u0438\u0430\u043b\u043d\u0438 \u043c\u0430\u043b\u0446\u0438\u043d\u0441\u0442\u0432\u0430 \u0438 \u043c\u0435\u0434\u0438\u0438\u201c (2002), \u201e\u0421\u0432\u0435\u0442\u043e\u0432\u043d\u043e\u0442\u043e \u0440\u0430\u0434\u0438\u043e. \u041c\u043e\u0434\u0435\u043b\u0438 \u043d\u0430 \u0440\u0430\u0437\u0432\u0438\u0442\u0438\u0435\u201c (2007) \u0438 \u201e\u0421\u043e\u0446\u0438\u0430\u043b\u0438\u0441\u0442\u0438\u0447\u0435\u0441\u043a\u043e\u0442\u043e \u0431\u044a\u043b\u0433\u0430\u0440\u0441\u043a\u043e \u0440\u0430\u0434\u0438\u043e\u201c (2022). (\u0421\u044a)\u0441\u044a\u0441\u0442\u0430\u0432\u0438\u0442\u0435\u043b \u043d\u0430 \u0440\u0435\u0434\u0438\u0446\u0430 \u0441\u0431\u043e\u0440\u043d\u0438\u0446\u0438, \u0441\u0440\u0435\u0434 \u043a\u043e\u0438\u0442\u043e \u201e\u0420\u0430\u0434\u0438\u043e. \u0420\u0430\u0437\u043a\u0430\u0437. \u0420\u0435\u0447. \u042e\u0431\u0438\u043b\u0435\u0435\u043d \u0441\u0431\u043e\u0440\u043d\u0438\u043a \u0432 \u0447\u0435\u0441\u0442 \u043d\u0430 \u043f\u0440\u043e\u0444. \u0434\u0441\u043d \u0421\u043d\u0435\u0436\u0430\u043d\u0430 \u041f\u043e\u043f\u043e\u0432\u0430\u201c (2014), \u201e\u0411\u041d\u0420 \u0438 \u0411\u041d\u0422 \u2013 \u043c\u0435\u0436\u0434\u0443 \u0434\u044a\u0440\u0436\u0430\u0432\u0430\u0442\u0430 \u0438 \u043e\u0431\u0449\u0435\u0441\u0442\u0432\u043e\u0442\u043e\u201c (2017), \u201e#\u041a\u043e\u0439 \u0441\u043f\u0440\u044f \u0411\u041d\u0420?\u201c (2019) \u0438 \u0434\u0440.<\/p>\n\n\n\n<p>D.Sc<strong>. Vyara Angelova<\/strong> is an Associate Professor at the Faculty of Journalism and Mass Communication of the Sofia University &#8222;St. Kliment Ohridski&#8220;. Author of the books &#8222;Social Minorities and Media&#8220; (2002), &#8222;World Radio. Development Models&#8220; (2007) and &#8222;Socialist Bulgarian Radio&#8220; (2022). (Co)editor of a number of books, including &#8222;Radio. Story. Speech. Anniversary collection in honor of Prof. D. Sc. Snezhana Popova&#8220; (2014), &#8222;BNR and BNT &#8211; between the state and society&#8220; (2017), &#8222;#Who stopped BNR?&#8220; (2019) \u0435tc.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>BRINGING THE NARRATIVE TO LIFE. THE SOUND IN VIDEO GAMES \u0434\u043e\u0446. \u0434.\u043d. \u0412\u044f\u0440\u0430 \u0410\u043d\u0433\u0435\u043b\u043e\u0432\u0430\u0424\u0430\u043a\u0443\u043b\u0442\u0435\u0442 \u043f\u043e \u0436\u0443\u0440\u043d\u0430\u043b\u0438\u0441\u0442\u0438\u043a\u0430 \u0438 \u043c\u0430\u0441\u043e\u0432\u0430 \u043a\u043e\u043c\u0443\u043d\u0438\u043a\u0430\u0446\u0438\u044f\u0421\u0423&nbsp;\u201e\u0421\u0432. \u041a\u043b\u0438\u043c\u0435\u043d\u0442 \u041e\u0445\u0440\u0438\u0434\u0441\u043a\u0438\u201ce-mail:&nbsp;v.angelova@uni-sofia.bg \u0410ssoc. Prof.&nbsp;Vyara Angelova, Dr. HabilFaculty of Journalism and Mass Communication&nbsp;Sofia University &#8222;St. Kliment Ohridski&#8220;e-mail:&nbsp;v.angelova@uni-sofia.bg \u0420\u0435\u0437\u044e\u043c\u0435: \u0422\u0435\u043a\u0441\u0442\u044a\u0442 \u0441\u0435 \u0437\u0430\u043d\u0438\u043c\u0430\u0432\u0430 \u0441 \u0440\u043e\u043b\u044f\u0442\u0430 \u043d\u0430 \u0437\u0432\u0443\u043a\u0430 \u0432\u044a\u0432 \u0432\u0438\u0434\u0435\u043e\u0438\u0433\u0440\u0438\u0442\u0435. \u041f\u0440\u0430\u0432\u0438 \u0441\u0435 \u043f\u0440\u0435\u0433\u043b\u0435\u0434 \u043d\u0430 \u0440\u0430\u0437\u043b\u0438\u0447\u043d\u0438 \u043a\u0430\u0442\u0435\u0433\u043e\u0440\u0438\u0437\u0430\u0446\u0438\u0438 \u043d\u0430 \u0437\u0432\u0443\u0446\u0438\u0442\u0435, \u043d\u0430 \u0442\u044f\u0445\u043d\u0430\u0442\u0430 [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-4680","post","type-post","status-publish","format-standard","hentry","category-1"],"_links":{"self":[{"href":"https:\/\/www.medialog-bg.com\/index.php?rest_route=\/wp\/v2\/posts\/4680","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.medialog-bg.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.medialog-bg.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.medialog-bg.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.medialog-bg.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=4680"}],"version-history":[{"count":4,"href":"https:\/\/www.medialog-bg.com\/index.php?rest_route=\/wp\/v2\/posts\/4680\/revisions"}],"predecessor-version":[{"id":5448,"href":"https:\/\/www.medialog-bg.com\/index.php?rest_route=\/wp\/v2\/posts\/4680\/revisions\/5448"}],"wp:attachment":[{"href":"https:\/\/www.medialog-bg.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=4680"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.medialog-bg.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=4680"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.medialog-bg.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=4680"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}