{"id":4600,"date":"2022-11-28T23:24:20","date_gmt":"2022-11-28T21:24:20","guid":{"rendered":"https:\/\/www.medialog-bg.com\/?p=4600"},"modified":"2022-12-01T10:35:57","modified_gmt":"2022-12-01T08:35:57","slug":"%d0%bb%d0%be%d0%b7%d0%b0%d0%bd%d0%ba%d0%b0-%d0%bf%d0%b5%d0%b9%d1%87%d0%b5%d0%b2%d0%b0-%d0%bb%d0%b8%d1%86%d0%b5%d1%82%d0%be-%d0%bd%d0%b0-%d0%b1%d1%8a%d0%bb%d0%b3%d0%b0%d1%80%d1%89%d0%b8%d0%bd%d0%b0","status":"publish","type":"post","link":"https:\/\/www.medialog-bg.com\/?p=4600","title":{"rendered":"\u041b\u043e\u0437\u0430\u043d\u043a\u0430 \u041f\u0435\u0439\u0447\u0435\u0432\u0430. &#8222;\u041b\u0438\u0446\u0435\u0442\u043e \u043d\u0430 \u0431\u044a\u043b\u0433\u0430\u0440\u0449\u0438\u043d\u0430\u0442\u0430&#8220;: \u041d\u0430\u0446\u0438\u043e\u043d\u0430\u043b\u043d\u0438\u044f\u0442 \u0441\u044a\u0431\u043e\u0440 \u0437\u0430 \u043d\u0430\u0440\u043e\u0434\u043d\u043e \u0442\u0432\u043e\u0440\u0447\u0435\u0441\u0442\u0432\u043e \u0432 \u041a\u043e\u043f\u0440\u0438\u0432\u0449\u0438\u0446\u0430 \u0438 \u043d\u0435\u0433\u043e\u0432\u0438\u0442\u0435 \u043c\u0435\u0434\u0438\u0439\u043d\u0438 \u043e\u0442\u0440\u0430\u0436\u0435\u043d\u0438\u044f"},"content":{"rendered":"\n<p class=\"has-text-align-center has-medium-font-size\"><strong>The face of Bulgarianism&#8217;: the National festival of folklore in Koprivshtitsa <\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center has-medium-font-size\"><strong>and its media reflections<br>Lozanka Peycheva<\/strong><\/p>\n\n\n\n<p>\u041c\u0435\u0434\u0438\u0430\u043b\u043e\u0433 12\/2022<\/p>\n\n\n\n<p>Medialog 12\/2022<\/p>\n\n\n\n<p><strong>How to cite:<\/strong> \u041f\u0435\u0439\u0447\u0435\u0432\u0430, \u041b\u043e\u0437\u0430\u043d\u043a\u0430 (2022). &#8222;\u041b\u0438\u0446\u0435\u0442\u043e \u043d\u0430 \u0431\u044a\u043b\u0433\u0430\u0440\u0449\u0438\u043d\u0430\u0442\u0430&#8220;: \u041d\u0430\u0446\u0438\u043e\u043d\u0430\u043b\u043d\u0438\u044f\u0442 \u0441\u044a\u0431\u043e\u0440 \u0437\u0430 \u043d\u0430\u0440\u043e\u0434\u043d\u043e \u0442\u0432\u043e\u0440\u0447\u0435\u0441\u0442\u0432\u043e \u0432 \u041a\u043e\u043f\u0440\u0438\u0432\u0449\u0438\u0446\u0430 \u0438 \u043d\u0435\u0433\u043e\u0432\u0438\u0442\u0435 \u043c\u0435\u0434\u0438\u0439\u043d\u0438 \u043e\u0442\u0440\u0430\u0436\u0435\u043d\u0438\u044f. <em>\u041c\u0435\u0434\u0438\u0430\u043b\u043e\u0433, 2\/2022<\/em>, \u0441. https:\/\/www.medialog-bg.com\/?p=4600 [Peycheva, Lozanka (2022). The face of Bulgarianism&#8217;: the National festival of folklore in Koprivshtitsa and its media reflections. Medialog, 2\/2022, pp. <\/p>\n\n\n\n<p><br><strong>\u0420\u0435\u0437\u044e\u043c\u0435:<\/strong> \u0421\u0442\u0430\u0442\u0438\u044f\u0442\u0430 \u0440\u0430\u0437\u0433\u043b\u0435\u0436\u0434\u0430 \u041d\u0430\u0446\u0438\u043e\u043d\u0430\u043b\u043d\u0438\u044f \u0441\u044a\u0431\u043e\u0440 \u043d\u0430 \u043d\u0430\u0440\u043e\u0434\u043d\u043e\u0442\u043e \u0442\u0432\u043e\u0440\u0447\u0435\u0441\u0442\u0432\u043e \u0432 \u041a\u043e\u043f\u0440\u0438\u0432\u0449\u0438\u0446\u0430 \u2013 \u043a\u0443\u043b\u043c\u0438\u043d\u0430\u0446\u0438\u044f \u0432 \u0434\u0432\u0438\u0436\u0435\u043d\u0438\u0435\u0442\u043e \u043d\u0430 \u0441\u044a\u0431\u043e\u0440\u0438\u0442\u0435-\u043d\u0430\u0434\u043f\u044f\u0432\u0430\u043d\u0438\u044f \u2013 \u043a\u0430\u0442\u043e \u0442\u044a\u0440\u0441\u0438 \u0443\u0441\u0442\u043e\u0439\u0447\u0438\u0432\u0438\u0442\u0435 \u043c\u0435\u0434\u0438\u0439\u043d\u0438 \u0440\u0435\u043f\u0440\u0435\u0437\u0435\u043d\u0442\u0430\u0446\u0438\u0438 \u043d\u0430 \u0444\u043e\u043b\u043a\u043b\u043e\u0440\u043d\u0438\u044f \u0441\u044a\u0431\u043e\u0440, \u043f\u0440\u043e\u0432\u0435\u0436\u0434\u0430\u043d \u0432\u0435\u0447\u0435 \u0434\u0432\u0430\u043d\u0430\u0434\u0435\u0441\u0435\u0442 \u0438\u0437\u0434\u0430\u043d\u0438\u044f (\u043c\u0435\u0436\u0434\u0443 1965 \u0438 2022 \u0433.). \u0422\u044a\u0440\u0441\u044f\u0442 \u0441\u0435 \u043c\u0435\u0445\u0430\u043d\u0438\u0437\u043c\u0438\u0442\u0435 \u0437\u0430 \u043e\u0440\u0433\u0430\u043d\u0438\u0437\u0438\u0440\u0430\u043d\u0435 \u0438 \u043c\u0435\u0434\u0438\u0439\u043d\u043e \u043e\u0442\u0440\u0430\u0437\u044f\u0432\u0430\u043d\u0435 \u0432 \u0445\u0440\u043e\u043d\u043e\u043b\u043e\u0433\u0438\u0447\u043d\u0438\u0442\u0435 \u043b\u0438\u043d\u0438\u0438 \u043f\u0440\u0435\u0434\u0438 \u0438 \u0441\u043b\u0435\u0434 1989 \u0433. \u0424\u043e\u043a\u0443\u0441\u044a\u0442 \u0435 \u0432\u044a\u0440\u0445\u0443 \u0434\u0438\u0441\u043a\u0443\u0440\u0441\u0438\u0442\u0435 \u0438 \u043f\u0440\u0435\u0434\u0441\u0442\u0430\u0432\u044f\u043d\u0435\u0442\u043e \u043d\u0430 \u0441\u044a\u0431\u043e\u0440\u0430 \u043a\u0430\u0442\u043e \u043c\u0430\u043d\u0438\u0444\u0435\u0441\u0442\u0430\u0446\u0438\u044f \u043d\u0430 \u043a\u043e\u043b\u0435\u043a\u0442\u0438\u0432\u043d\u0430 \u0438 \u043d\u0430\u0446\u0438\u043e\u043d\u0430\u043b\u043d\u0430 \u0438\u0434\u0435\u043d\u0442\u0438\u0447\u043d\u043e\u0441\u0442, \u201e\u043b\u0438\u0446\u0435 \u043d\u0430 \u0431\u044a\u043b\u0433\u0430\u0440\u0449\u0438\u043d\u0430\u0442\u0430\u201c.<br><strong>\u041a\u043b\u044e\u0447\u043e\u0432\u0438 \u0434\u0443\u043c\u0438:<\/strong> \u0441\u044a\u0431\u043e\u0440 \u043d\u0430 \u043d\u0430\u0440\u043e\u0434\u043d\u043e\u0442\u043e \u0442\u0432\u043e\u0440\u0447\u0435\u0441\u0442\u0432\u043e, \u0441\u044a\u0432\u0440\u0435\u043c\u0435\u043d\u043d\u043e\u0441\u0442 \u0438 \u0444\u043e\u043b\u043a\u043b\u043e\u0440, \u0438\u0434\u0435\u043d\u0442\u0438\u0447\u043d\u043e\u0441\u0442, \u043c\u0435\u0434\u0438\u0439\u043d\u0438 \u043e\u0431\u0440\u0430\u0437\u0438.<\/p>\n\n\n\n<p><strong>Abstract:<\/strong> The article examines the National festival of folklore in Koprivshtitsa \u2013 a culmination of the assembly-singing movement \u2013 by looking for sustainable media representations of the folklore festivals, which has already been held for twelve editions (between 1965 and 2022). The mechanisms for organization and media coverage are sought in the chronological lines before and after 1989. The focus is on the discourses and presentation of the festival as a manifestation of collective and national identity, \u201cthe face of Bulgarianism\u201d.<br><strong>Keywords:<\/strong> sabor (assembly) of folklore, modernity and folklore, identity, media images<\/p>\n\n\n\n<p><strong>\u041e\u0442\u0432\u043e\u0440\u0435\u0442\u0435 \u0442\u0435\u043a\u0441\u0442\u0430 \u0442\u0443\u043a<\/strong><\/p>\n\n\n\n<p><\/p>\n\n\n\n<div data-wp-interactive=\"core\/file\" class=\"wp-block-file\"><object data-wp-bind--hidden=\"!state.hasPdfPreview\" hidden class=\"wp-block-file__embed\" data=\"https:\/\/www.medialog-bg.com\/wp-content\/uploads\/2022\/12\/04_Lozanka-Peycheva.pdf\" type=\"application\/pdf\" style=\"width:100%;height:600px\" aria-label=\"\u0412\u0433\u0440\u0430\u0436\u0434\u0430\u043d\u0435 \u043d\u0430 \u0412\u0433\u0440\u0430\u0436\u0434\u0430\u043d\u0435 \u043d\u0430 04_Lozanka-Peycheva..\"><\/object><a id=\"wp-block-file--media-125e0003-60dd-49ee-bc1a-b67e224b44ea\" href=\"https:\/\/www.medialog-bg.com\/wp-content\/uploads\/2022\/12\/04_Lozanka-Peycheva.pdf\">04_Lozanka-Peycheva<\/a><a href=\"https:\/\/www.medialog-bg.com\/wp-content\/uploads\/2022\/12\/04_Lozanka-Peycheva.pdf\" class=\"wp-block-file__button\" download aria-describedby=\"wp-block-file--media-125e0003-60dd-49ee-bc1a-b67e224b44ea\">\u0418\u0437\u0442\u0435\u0433\u043b\u044f\u043d\u0435<\/a><\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p><strong>\u041b\u043e\u0437\u0430\u043d\u043a\u0430 \u041f\u0435\u0439\u0447\u0435\u0432\u0430<\/strong> [\u0434-\u0440 (1991); \u0434.\u043d. (2007)] \u0435 \u043f\u0440\u043e\u0444\u0435\u0441\u043e\u0440 \u0432 \u0418\u043d\u0441\u0442\u0438\u0442\u0443\u0442\u0430 \u0437\u0430 \u0435\u0442\u043d\u043e\u043b\u043e\u0433\u0438\u044f \u0438 \u0444\u043e\u043b\u043a\u043b\u043e\u0440\u0438\u0441\u0442\u0438\u043a\u0430 \u0441 \u0415\u0442\u043d\u043e\u0433\u0440\u0430\u0444\u0441\u043a\u0438 \u043c\u0443\u0437\u0435\u0439 \u043a\u044a\u043c \u0411\u044a\u043b\u0433\u0430\u0440\u0441\u043a\u0430\u0442\u0430 \u0430\u043a\u0430\u0434\u0435\u043c\u0438\u044f \u043d\u0430 \u043d\u0430\u0443\u043a\u0438\u0442\u0435 (\u0418\u0415\u0424\u0415\u041c-\u0411\u0410\u041d). \u041f\u0440\u0435\u043f\u043e\u0434\u0430\u0432\u0430\u0442\u0435\u043b \u0432 \u0410\u043a\u0430\u0434\u0435\u043c\u0438\u044f\u0442\u0430 \u0437\u0430 \u043c\u0443\u0437\u0438\u043a\u0430\u043b\u043d\u043e, \u0442\u0430\u043d\u0446\u043e\u0432\u043e \u0438 \u0438\u0437\u043e\u0431\u0440\u0430\u0437\u0438\u0442\u0435\u043b\u043d\u043e \u0438\u0437\u043a\u0443\u0441\u0442\u0432\u043e \u201e\u041f\u0440\u043e\u0444. \u0410\u0441\u0435\u043d \u0414\u0438\u0430\u043c\u0430\u043d\u0434\u0438\u0435\u0432\u201d \u2013 \u041f\u043b\u043e\u0432\u0434\u0438\u0432. \u0410\u0432\u0442\u043e\u0440 \u043d\u0430 \u043d\u0430\u0434 250 \u043d\u0430\u0443\u0447\u043d\u0438 \u0441\u0442\u0443\u0434\u0438\u0438 \u0438 \u0441\u0442\u0430\u0442\u0438\u0438, \u0443\u0447\u0435\u0431\u043d\u0438\u0446\u0438 \u0438 \u043c\u043e\u043d\u043e\u0433\u0440\u0430\u0444\u0438\u0438: \u201e\u0414\u0443\u0448\u0430\u0442\u0430 \u043f\u043b\u0430\u0447\u0435 \u2013 \u043f\u0435\u0441\u0435\u043d \u0438\u0437\u043b\u0438\u0437\u0430 (\u0420\u043e\u043c\u0441\u043a\u0438\u0442\u0435 \u043c\u0443\u0437\u0438\u043a\u0430\u043d\u0442\u0438 \u0432 \u0411\u044a\u043b\u0433\u0430\u0440\u0438\u044f \u0438 \u0442\u044f\u0445\u043d\u0430\u0442\u0430 \u043c\u0443\u0437\u0438\u043a\u0430)\u201c (1999 \u0433.); \u201e\u041c\u0435\u0436\u0434\u0443 \u0421\u0435\u043b\u043e\u0442\u043e \u0438 \u0412\u0441\u0435\u043b\u0435\u043d\u0430\u0442\u0430: \u0441\u0442\u0430\u0440\u0430\u0442\u0430 \u0444\u043e\u043b\u043a\u043b\u043e\u0440\u043d\u0430 \u043c\u0443\u0437\u0438\u043a\u0430 \u043e\u0442 \u0411\u044a\u043b\u0433\u0430\u0440\u0438\u044f \u0432 \u043d\u043e\u0432\u0438 \u0432\u0440\u0435\u043c\u0435\u043d\u0430\u201c (2008); \u201e\u041d\u0430\u0440\u043e\u0434\u043d\u0438\u044f\u0442 \u0434\u0443\u0445\u201d \u0432 \u0430\u0432\u0442\u043e\u0440\u0441\u043a\u0438\u0442\u0435 \u043f\u0435\u0441\u043d\u0438 \u043e\u0442 \u0411\u044a\u043b\u0433\u0430\u0440\u0438\u044f\u201c (2020 \u0433.); \u0441\u044a\u0430\u0432\u0442\u043e\u0440 \u0441 \u0412\u0435\u043d\u0446\u0438\u0441\u043b\u0430\u0432 \u0414\u0438\u043c\u043e\u0432 \u043d\u0430 \u043c\u043e\u043d\u043e\u0433\u0440\u0430\u0444\u0438\u044f\u0442\u0430 \u201e\u0417\u0443\u0440\u043d\u0430\u0434\u0436\u0438\u0439\u0441\u043a\u0430\u0442\u0430 \u0442\u0440\u0430\u0434\u0438\u0446\u0438\u044f \u0432 \u042e\u0433\u043e\u0437\u0430\u043f\u0430\u0434\u043d\u0430 \u0411\u044a\u043b\u0433\u0430\u0440\u0438\u044f\u201c (2002 \u0433.); \u201e\u0421 \u0445\u043e\u0440\u043e \u0438 \u043f\u0435\u0441\u0435\u043d, \u0441 \u043f\u0435\u0440\u043e \u0438 \u0441\u043b\u043e\u0432\u043e: 120 \u0433\u043e\u0434\u0438\u043d\u0438 \u043e\u0442 \u0440\u043e\u0436\u0434\u0435\u043d\u0438\u0435\u0442\u043e \u043d\u0430 \u0420\u0430\u0439\u043d\u0430 \u041a\u0430\u0446\u0430\u0440\u043e\u0432\u0430 (1901-1984)\u201c (2022) \u0438 \u0441 \u041b\u044e\u0434\u043c\u0438\u043b\u0430 \u0412\u0435\u043b\u0447\u0435\u0432\u0430 \u043d\u0430 \u043a\u043d\u0438\u0433\u0430\u0442\u0430 \u201e\u041d\u0435\u0440\u0430\u0432\u043d\u043e\u0434\u0435\u043b\u043d\u043e\u0441\u0442\u0442\u0430 \u2013 \u0441\u0438\u0441\u0442\u0435\u043c\u0430 \u0437\u0430 \u0438\u0437\u0443\u0447\u0430\u0432\u0430\u043d\u0435\u201c (2005). \u0421\u0444\u0435\u0440\u0438 \u043d\u0430 \u043d\u0430\u0443\u0447\u043d\u0438 \u0438\u043d\u0442\u0435\u0440\u0435\u0441\u0438 \u2013 \u0445\u0443\u043c\u0430\u043d\u0438\u0442\u0430\u0440\u043d\u0438 \u043d\u0430\u0443\u043a\u0438; \u0435\u0442\u043d\u043e\u043c\u0443\u0437\u0438\u043a\u043e\u043b\u043e\u0433\u0438\u044f; \u0430\u043d\u0442\u0440\u043e\u043f\u043e\u043b\u043e\u0433\u0438\u044f \u043d\u0430 \u043c\u0443\u0437\u0438\u043a\u0430\u0442\u0430; \u043a\u0443\u043b\u0442\u0443\u0440\u043d\u043e \u043d\u0430\u0441\u043b\u0435\u0434\u0441\u0442\u0432\u043e; \u0438\u0434\u0435\u043d\u0442\u0438\u0447\u043d\u043e\u0441\u0442; \u043c\u043e\u0434\u0435\u0440\u043d\u0438\u0437\u0430\u0446\u0438\u044f \u0438 \u0433\u043b\u043e\u0431\u0430\u043b\u0438\u0437\u0430\u0446\u0438\u044f \u043d\u0430 \u043d\u0430\u0440\u043e\u0434\u043d\u0430\u0442\u0430 \u043c\u0443\u0437\u0438\u043a\u0430; \u043c\u0443\u0437\u0438\u043a\u0430\u043b\u043d\u0438 \u0442\u0440\u0430\u0434\u0438\u0446\u0438\u0438 \u043d\u0430 \u0435\u0442\u043d\u043e\u043a\u0443\u043b\u0442\u0443\u0440\u043d\u0438 \u0433\u0440\u0443\u043f\u0438; \u043f\u0441\u0438\u0445\u043e\u043b\u043e\u0433\u0438\u0447\u0435\u0441\u043a\u0430 \u0430\u043d\u0442\u0440\u043e\u043f\u043e\u043b\u043e\u0433\u0438\u044f \u0438 \u0434\u0440. \u0420\u044a\u043a\u043e\u0432\u043e\u0434\u0438\u0442\u0435\u043b \u043d\u0430 \u041d\u0430\u0446\u0438\u043e\u043d\u0430\u043b\u043d\u0438\u044f \u043a\u043e\u043c\u0438\u0442\u0435\u0442 \u043d\u0430 ICTM (\u041c\u0435\u0436\u0434\u0443\u043d\u0430\u0440\u043e\u0434\u043d\u0438\u044f \u0441\u044a\u0432\u0435\u0442 \u0437\u0430 \u0442\u0440\u0430\u0434\u0438\u0446\u0438\u043e\u043d\u043d\u0430 \u043c\u0443\u0437\u0438\u043a\u0430 \u043a\u044a\u043c \u042e\u041d\u0415\u0421\u041a\u041e) \u2013 \u0411\u044a\u043b\u0433\u0430\u0440\u0438\u044f.<\/p>\n\n\n\n<p><strong>Lozanka Peycheva<\/strong> [PhD (1991); DSc (2007)] is a Professor at the Institute of Ethnology and Folklore Studies with the Ethnographic Museum, at the Bulgarian Academy of Sciences (IEFEM-BAS). Lecturer at the Academy of Music, Dance and Fine Arts \u201cProf. Asen Diamandiev\u201d \u2013 Plovdiv. Author of over 250 scientific studies and articles, textbooks and monographs: <em>Dushata plache \u2013 pesen izliza (Romskite muzikanti v B\u01d4lgariya i tyahnata muzika)<\/em> [&#8222;The soul cries \u2013 a song comes out&#8220; (Roma musicians in Bulgaria and their music)] (1999); <em>Mezhdu Seloto i Vselenata: starata folklorna muzika ot B\u01d4lgariya v novite vremena<\/em> [Between the Village and the Universe: the old folk music from Bulgaria in the new times&#8220;] (2008); <em>\u201cNarodniyat duh\u201d v avtorskite pesni ot B\u01d4lgariya<\/em> [\u201cThe folk spirit\u201d in the author&#8217;s songs from Bulgaria] (2020); co-author with Ventsislav Dimov of the monograph <em>The Zurna Tradition in Southwest B\u01d4lgaria<\/em> (2002); <em>S horo I pesen, s pero I slovo: 120 godini ot rogdenieto na Rayna Katsarova <\/em>(1901-1984) [With horo dance and song, with pen and word: 120th anniversary of the birth Rayna Katsarova (1901-1984)] (2022) and with Lyudmila Velcheva of the book <em>Neravnodelnostta \u2013 sistema za izuchavane<\/em> [System for the study of uneven metrums and rhythms] (2005). Areas of research interests \u2013 humanities; ethnomusicology; anthropology of music; cultural heritage; identity; ethnicity; modernization and globalization of folk music; musical traditions of ethnocultural groups; psychological anthropology, etc. Chairman of the Board of the ICTM National Committee of Bulgaria (ICTM \u2013 International Council for Traditional Music at UNESCO).<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The face of Bulgarianism&#8217;: the National festival of folklore in Koprivshtitsa and its media reflectionsLozanka Peycheva \u041c\u0435\u0434\u0438\u0430\u043b\u043e\u0433 12\/2022 Medialog 12\/2022 How to cite: \u041f\u0435\u0439\u0447\u0435\u0432\u0430, \u041b\u043e\u0437\u0430\u043d\u043a\u0430 (2022). &#8222;\u041b\u0438\u0446\u0435\u0442\u043e \u043d\u0430 \u0431\u044a\u043b\u0433\u0430\u0440\u0449\u0438\u043d\u0430\u0442\u0430&#8220;: \u041d\u0430\u0446\u0438\u043e\u043d\u0430\u043b\u043d\u0438\u044f\u0442 \u0441\u044a\u0431\u043e\u0440 \u0437\u0430 \u043d\u0430\u0440\u043e\u0434\u043d\u043e \u0442\u0432\u043e\u0440\u0447\u0435\u0441\u0442\u0432\u043e \u0432 \u041a\u043e\u043f\u0440\u0438\u0432\u0449\u0438\u0446\u0430 \u0438 \u043d\u0435\u0433\u043e\u0432\u0438\u0442\u0435 \u043c\u0435\u0434\u0438\u0439\u043d\u0438 \u043e\u0442\u0440\u0430\u0436\u0435\u043d\u0438\u044f. \u041c\u0435\u0434\u0438\u0430\u043b\u043e\u0433, 2\/2022, \u0441. https:\/\/www.medialog-bg.com\/?p=4600 [Peycheva, Lozanka (2022). The face of Bulgarianism&#8217;: the National festival of [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-4600","post","type-post","status-publish","format-standard","hentry","category-1"],"_links":{"self":[{"href":"https:\/\/www.medialog-bg.com\/index.php?rest_route=\/wp\/v2\/posts\/4600","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.medialog-bg.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.medialog-bg.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.medialog-bg.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.medialog-bg.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=4600"}],"version-history":[{"count":3,"href":"https:\/\/www.medialog-bg.com\/index.php?rest_route=\/wp\/v2\/posts\/4600\/revisions"}],"predecessor-version":[{"id":4625,"href":"https:\/\/www.medialog-bg.com\/index.php?rest_route=\/wp\/v2\/posts\/4600\/revisions\/4625"}],"wp:attachment":[{"href":"https:\/\/www.medialog-bg.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=4600"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.medialog-bg.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=4600"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.medialog-bg.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=4600"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}