{"id":4161,"date":"2021-12-01T17:27:11","date_gmt":"2021-12-01T15:27:11","guid":{"rendered":"http:\/\/www.medialog-bg.com\/?p=4161"},"modified":"2021-12-13T19:06:08","modified_gmt":"2021-12-13T17:06:08","slug":"%d0%bf%d0%be%d0%bb%d0%b8%d1%82%d0%b8%d1%87%d0%b5%d1%81%d0%ba%d0%b8-%d0%bf%d1%8a%d1%80%d1%84%d0%be%d1%80%d0%bc%d0%b0%d0%bd%d1%81%d0%b8-%d0%b2-%d0%b1%d1%8a%d0%bb%d0%b3%d0%b0%d1%80%d1%81%d0%ba%d0%b8","status":"publish","type":"post","link":"https:\/\/www.medialog-bg.com\/?p=4161","title":{"rendered":"\u041f\u043e\u043b\u0438\u0442\u0438\u0447\u0435\u0441\u043a\u0438 \u043f\u044a\u0440\u0444\u043e\u0440\u043c\u0430\u043d\u0441\u0438 \u0432 \u0431\u044a\u043b\u0433\u0430\u0440\u0441\u043a\u0438\u044f \u043c\u0435\u0434\u0438\u0435\u043d \u043f\u043e\u0442\u043e\u043a"},"content":{"rendered":"\n<p style=\"text-align:center\"><strong>\u0421\u0438\u043b\u0432\u0438\u044f \u041f\u0435\u0442\u0440\u043e\u0432\u0430<\/strong><\/p>\n\n\n\n<p style=\"text-align:center\"><strong>POLITICAL PERFORMANCES IN THE BULGARIAN MEDIA FLOW<\/strong><\/p>\n\n\n\n<p style=\"text-align:center\"><strong>Silvia Petrova<\/strong><\/p>\n\n\n\n<p><strong>\u041c\u0435\u0434\u0438\u0430\u043b\u043e\u0433, \u0431\u0440\u043e\u0439 10\/2021<\/strong><\/p>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/www.medialog-bg.com\/wp-content\/uploads\/2021\/12\/\u0421\u0438\u043b\u0432\u0438\u044f.pdf\">\u041e\u0442\u0432\u043e\u0440\u0435\u0442\u0435 \u0442\u0435\u043a\u0441\u0442\u0430 \u0442\u0443\u043a Silvia Petrova<\/a><a href=\"https:\/\/www.medialog-bg.com\/wp-content\/uploads\/2021\/12\/\u0421\u0438\u043b\u0432\u0438\u044f.pdf\" class=\"wp-block-file__button\" download>Download<\/a><\/div>\n\n\n\n<p><strong>\u0420\u0435\u0437\u044e\u043c\u0435:<\/strong> \u0422\u0435\u043a\u0441\u0442\u044a\u0442 \u0438\u0437\u0441\u043b\u0435\u0434\u0432\u0430 \u0432\u0440\u044a\u0437\u043a\u0430\u0442\u0430 \u043c\u0435\u0436\u0434\u0443 \u0441\u044a\u0432\u0440\u0435\u043c\u0435\u043d\u043d\u0430\u0442\u0430 \u043f\u043e\u043b\u0438\u0442\u0438\u043a\u0430 \u0438 \u043f\u043e\u043f\u0443\u043b\u044f\u0440\u043d\u0430\u0442\u0430 \u043a\u0443\u043b\u0442\u0443\u0440\u0430, \u043a\u0430\u0442\u043e \u043f\u0440\u0435\u0434\u043b\u0430\u0433\u0430 \u043a\u043e\u043d\u0441\u0442\u0440\u0443\u0438\u0440\u0430\u043d\u0435\u0442\u043e \u043d\u0430 \u043f\u043e\u043b\u0438\u0442\u0438\u0447\u0435\u0441\u043a\u0438\u044f \u201e\u0440\u0430\u0437\u043a\u0430\u0437\u201c \u0434\u0430 \u0441\u0435 \u043f\u0440\u043e\u0441\u043b\u0435\u0434\u0438 \u0432 \u0441\u044a\u043f\u043e\u0441\u0442\u0430\u0432\u043a\u0430 \u0441\u044a\u0441 \u0441\u0442\u0440\u0443\u043a\u0442\u0443\u0440\u0430\u0442\u0430 \u043d\u0430 \u0441\u0435\u0440\u0438\u0430\u043b\u0438\u0442\u0435. \u0422\u0430\u0437\u0438 \u0432\u0440\u044a\u0437\u043a\u0430 \u0441\u0435 \u043c\u0438\u0441\u043b\u0438 \u043a\u0430\u0442\u043e \u0432\u044a\u0437\u043c\u043e\u0436\u0435\u043d \u0432\u0445\u043e\u0434 \u043a\u044a\u043c \u0444\u043b\u0443\u0438\u0434\u043d\u0430\u0442\u0430 \u0438 \u0441\u0440\u0430\u0432\u043d\u0438\u0442\u0435\u043b\u043d\u043e \u0441\u043b\u0430\u0431\u043e \u0438\u0437\u0441\u043b\u0435\u0434\u0432\u0430\u043d\u0430 \u043f\u0440\u043e\u0431\u043b\u0435\u043c\u0430\u0442\u0438\u043a\u0430 \u043d\u0430 \u0444\u0435\u043d\u043e\u043c\u0435\u043d\u0430 \u043d\u0430 \u043f\u043e\u0441\u0442\u0438\u0441\u0442\u0438\u043d\u043d\u0430\u0442\u0430 \u043f\u043e\u043b\u0438\u0442\u0438\u043a\u0430. \u041e\u043f\u0438\u0441\u0432\u0430\u0442 \u0441\u0435 \u043d\u044f\u043a\u043e\u0438 \u043e\u0442 \u0445\u0430\u0440\u0430\u043a\u0442\u0435\u0440\u0438\u0441\u0442\u0438\u043a\u0438\u0442\u0435 \u043d\u0430 \u043f\u043e\u043b\u0438\u0442\u0438\u043a\u0430\u0442\u0430 \u043d\u0430 \u043f\u043e\u0441\u0442\u0438\u0441\u0442\u0438\u043d\u0430\u0442\u0430 \u0432 \u0431\u044a\u043b\u0433\u0430\u0440\u0441\u043a\u0438\u044f \u043a\u043e\u043d\u0442\u0435\u043a\u0441\u0442 \u043f\u0440\u0435\u0437 \u043f\u0440\u0438\u0437\u043c\u0430\u0442\u0430 \u043d\u0430 \u0438\u0437\u044f\u0432\u0438\u0442\u0435 \u043d\u0430 \u043f\u0430\u0440\u0442\u0438\u044f\u0442\u0430 \u201e\u0418\u043c\u0430 \u0442\u0430\u043a\u044a\u0432 \u043d\u0430\u0440\u043e\u0434\u201c \u043d\u0430 \u0448\u043e\u0443\u043c\u0435\u043d\u0430 \u0421\u043b\u0430\u0432\u0438 \u0422\u0440\u0438\u0444\u043e\u043d\u043e\u0432.<\/p>\n\n\n\n<p><strong>\u041a\u043b\u044e\u0447\u043e\u0432\u0438 \u0434\u0443\u043c\u0438:<\/strong> \u043f\u043e\u043f\u0443\u043b\u044f\u0440\u043d\u0430 \u043a\u0443\u043b\u0442\u0443\u0440\u0430, \u0441\u0435\u0440\u0438\u0430\u043b\u0438, \u043f\u043e\u043b\u0438\u0442\u0438\u043a\u0430, \u043f\u043e\u0441\u0442\u0438\u0441\u0442\u0438\u043d\u0430, \u043d\u0435\u0431\u0440\u0435\u0436\u043d\u0430 \u0440\u0435\u0447, \u0441\u043e\u0446\u0438\u0430\u043b\u043d\u0438 \u043c\u0440\u0435\u0436\u0438<\/p>\n\n\n\n<p><strong>Abstract:<\/strong> The text explores the connection between contemporary politics and popularculture, comparing the construction of the political \u2018narrative\u2019 with thestructure of television series. This connection is considered as a possibleentrance to the complex and fluid issues of the post-truth politics phenomenon.Some of the characteristics of the post-truth politics in the Bulgarian contextare described through the actions of Slavi Trifonov\u2019s political party.<\/p>\n\n\n\n<p><strong>Key words: <\/strong>popular culture, television series, politics, post-truth, careless speech,social media.<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><strong>\u0418\u0437\u043f\u043e\u043b\u0437\u0432\u0430\u043d\u0430 \u043b\u0438\u0442\u0435\u0440\u0430\u0442\u0443\u0440\u0430<\/strong><strong>:<\/strong><\/p>\n\n\n\n<p><strong>\u0420\u0423\u0428\u041a\u041e\u0424<\/strong>, \u0414\u044a\u0433\u043b\u0430\u0441 (2018).&nbsp;<em>\u0428\u043e\u043a \u043e\u0442 \u043d\u0430\u0441\u0442\u043e\u044f\u0449\u0435\u0442\u043e<\/em>. \u0421\u043e\u0444\u0438\u044f: \u0412\u0438\u0430 \u041b\u0435\u0442\u0435\u0440\u0430.\n[Rushkof, Daglas&nbsp;(2018). Shok ot nastoyasteto. Sofia: Via Letera]<\/p>\n\n\n\n<p><strong>FRANKFURT<\/strong>, Harry G.\n(2005).&nbsp;<em>On Bullshit<\/em>. Princeton: Princeton University Press.<\/p>\n\n\n\n<p><strong>HYVONEN<\/strong>, \u0410ri-Elmeri\n(2018). Careless Speech: Conceptualizing Post-Truth Politics.&nbsp;<em>New\nPerspectives&nbsp;<\/em>26, No. 3, pp. 31 \u2013 55.<\/p>\n\n\n\n<p><strong>HOPKIN<\/strong>, Jonathan\nand Ben&nbsp;<strong>ROSAMOND<\/strong>&nbsp;(2017).&nbsp; Post-truth Politics, Bullshit\nand Bad Ideas: \u201cDeficit Fetishism\u201d in the UK.&nbsp;<em>New Political Economy<\/em>,\n23(6): pp 641\u2013655.<\/p>\n\n\n\n<p><strong>KAY<\/strong>, Jonathan\n(2012). Show Me the Birth Certificate! How America\u2019s Internet-Enabled\nConspiracist Media Culture Is Destroying American Politics.&nbsp;<em>The Journal\nof the Hannah Arendt Center for Politics and Humanities at Bard College<\/em>,\nVol. 1, pp 54\u201364.<\/p>\n\n\n\n<p><strong>KEAN<\/strong>, John. (2018). Post-truth Politics and Why the Antidote isn&#8217;t Simply\n&#8222;Fact-checking and Truth&#8220;.&nbsp;<em>The Conversation.<\/em>&nbsp;https:\/\/theconversation.com\/post-truth-politics-and-why-the-antidote-isnt-simply-fact-checking-and-truth-87364<\/p>\n\n\n\n<p><strong>KOEKOEK<\/strong>, Catherin (2017).&nbsp;<em>Power Beyond Truth: The Implications of\nPost-Truth Politics for Habermas.<\/em>&nbsp;<em>Theory of Communicative Action.<\/em>&nbsp;openaccess.leidenuniv.nl\/bitstream\/handle\/1887\/57102\/Thesis%20Catherine%20Koekoek.pdf?sequence=1<\/p>\n\n\n\n<p><strong>NICHOLS<\/strong>, Tom\n(2017).&nbsp;<em>The Death of Expertise<\/em>. Oxford University Press.<\/p>\n\n\n\n<p><strong>OXFORD DICTIONARIES&nbsp;<\/strong>(2016). Word of the Year 2016\nIs&#8230;&nbsp;<a href=\"https:\/\/en\/\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/en<\/a>.&nbsp;<a href=\"http:\/\/oxforddictionaries.com\/word-of-the-year\/word-of-the-year-2016\" target=\"_blank\" rel=\"noreferrer noopener\">oxforddictionaries.com\/word-of-the-year\/word-of-the-year-2016<\/a>.<\/p>\n\n\n\n<p><strong>RATCLIFF<\/strong>, Kester (2018). Careless speech\u2019, \u1f00\u03c1\u03b3\u03bf\u03bb\u03bf\u03b3\u03af\u03b1\u03c2, and performative\npolitical\nlying.&nbsp;https:\/\/kesterratcliff.medium.com\/careless-speech-%E1%BC%80%CF%81%CE%B3%CE%BF%CE%BB%CE%BF%CE%B3%CE%AF%CE%B1%CF%82-in-social-and-political-life-8c175d9cfadf<\/p>\n\n\n\n<p><strong>SHEPHERD<\/strong>, Laura, Catilin&nbsp;<strong>HAMILTON<\/strong>&nbsp;(2019).&nbsp;<em>Understanding\nPopular Culture and World Politics in the Digital Age.&nbsp;<\/em>Routledge.<\/p>\n\n\n\n<p><strong>WHEELER<\/strong>, Mark\n(2013).&nbsp;<em>Celebrity Politics in the Fake News Age<\/em>. Polity\nPress.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/p>\n\n\n\n<p><strong>\u0418\u0437\u043f\u043e\u043b\u0437\u0432\u0430\u043d\u0438 \u0438\u0437\u0442\u043e\u0447\u043d\u0438\u0446\u0438<\/strong><strong>:<\/strong><\/p>\n\n\n\n<p><strong>\u0412\u0410\u0421\u0418\u041b\u0415\u0412, <\/strong>\u0411\u043e\u0439\u043a\u043e (2021). \u0418\u043d\u0442\u0435\u0440\u0432\u044e \u0441\u044a\u0441 \u0421\u043b\u0430\u0432\u0438\n\u0422\u0440\u0438\u0444\u043e\u043d\u043e\u0432 \u043f\u043e \u0411\u041d\u0422.&nbsp;<em>Youtube,&nbsp;<\/em>27.08.2021 \u0433.&nbsp;[Vasilev, Boyko\n(2021). Interview sas Slavi Trifonov po BNT. Youtube]<\/p>\n\n\n\n<p><strong>\u0422\u0420\u0418\u0424\u041e\u041d\u041e\u0412<\/strong>, \u0421\u043b\u0430\u0432\u0438 (2021a). \u0421\u043b\u0430\u0432\u0438 \u0422\u0440\u0438\u0444\u043e\u043d\u043e\u0432 \u043f\u0440\u0435\u0434\u043b\u043e\u0436\u0438 \u0431\u0438\u0432\u0448\u0438\u044f \u043c\u0438\u043d\u0438\u0441\u0442\u044a\u0440 \u041d\u0438\u043a\u043e\u043b\u0430\u0439 \u0412\u0430\u0441\u0438\u043b\u0435\u0432 \u0437\u0430 \u043f\u0440\u0435\u043c\u0438\u0435\u0440 \u0438\n\u043a\u0430\u0431\u0438\u043d\u0435\u0442 \u043e\u0442 \u0435\u043a\u0441\u043f\u0435\u0440\u0442\u0438.&nbsp;<em>Youtube,<\/em>&nbsp;\u0438\u0437\u043b\u044a\u0447\u0435\u043d\u043e \u043d\u0430 12.07.2021.&nbsp;https:\/\/www.youtube.com&nbsp;[Trifonov, Slavi (2021a). Slavi Trifonov predlozhi\nbivshiya minister Nikolay Vasilev za premier i kabinet ot eksperti]<\/p>\n\n\n\n<p><strong>\u0422\u0420\u0418\u0424\u041e\u041d\u041e\u0412<\/strong>, \u0421\u043b\u0430\u0432\u0438 (2021b). \u041e\u0442\u0433\u043e\u0432\u043e\u0440\u0438 \u043d\u0430 \u0430\u043a\u0442\u0443\u0430\u043b\u043d\u0438\u0442\u0435 \u0432\u044a\u043f\u0440\u043e\u0441\u0438 \u043e\u0442 \u043f\u043e\u0441\u043b\u0435\u0434\u043d\u0438\u0442\u0435 2 \u0441\u0435\u0434\u043c\u0438\u0446\u0438. \u0418\u043d\u0442\u0435\u0440\u0432\u044e \u043d\u0430 \u0422\u043e\u0448\u043a\u043e\n\u0419\u043e\u0440\u0434\u0430\u043d\u043e\u0432.&nbsp;<em>Youtube<\/em>, \u0438\u0437\u043b\u044a\u0447\u0435\u043d\u043e \u043d\u0430\n01.08.2021.&nbsp;https:\/\/www.youtube.com&nbsp;[Trifonov, Slavi (2021b).\nOtgovori na aktualnite vaprosi ot poslednite 2 sedmitsi. Interview na Toshko\nYordanov.&nbsp;<em>Youtube<\/em>]<\/p>\n\n\n\n<p><strong>\u0419\u041e\u0420\u0414\u0410\u041d\u041e\u0412<\/strong>, \u0422\u043e\u0448\u043a\u043e, \u041d\u0438\u043a\u043e\u043b\u0430\u0439&nbsp;<strong>\u0412\u0410\u0421\u0418\u041b\u0415\u0412<\/strong>, \u0424\u0438\u043b\u0438\u043f&nbsp;<strong>\u0421\u0422\u0410\u041d\u0415\u0412<\/strong>&nbsp;(2021). \u041f\u0440\u0435\u0441\u043a\u043e\u043d\u0444\u0435\u0440\u0435\u043d\u0446\u0438\u044f \u0432 \u0411\u0422\u0410, \u043d\u0430\n16.07.2021.&nbsp;https:\/\/www.youtube.com\/&nbsp;[Yordanov, Toshko, Nikolay\nVasilev, Filip Stanev (2021). Pressconference v BTA, na 16.07.2021]<\/p>\n\n\n\n<p><strong>\u0418\u041b\u0418\u0415\u0412<\/strong>, \u041f\u0435\u0442\u044a\u0440 (2021). \u0418\u043d\u0442\u0435\u0440\u0432\u044e \u043d\u0430 \u0412\u0438\u043a\u0442\u043e\u0440 \u041d\u0438\u043a\u043e\u043b\u0430\u0435\u0432 \u0437\u0430 &#8222;\u041d\u043e\u0432\u0430\n\u0442\u0435\u043b\u0435\u0432\u0438\u0437\u0438\u044f&#8220;, \u043e\u0442 9.08. 2021.&nbsp;youtube.com&nbsp;[Iliev, Peter (2021).\nInterview na Victor Nikolaev za &#8216;Nova TV&#8217;, 09.08.2021]<\/p>\n\n\n\n<p><strong>\u0421\u0438\u043b\u0432\u0438\u044f \u041f\u0435\u0442\u0440\u043e\u0432\u0430<\/strong> \u0435 \u0434\u043e\u043a\u0442\u043e\u0440 \u043f\u043e \u043e\u0431\u0449\u0435\u0441\u0442\u0432\u0435\u043d\u043e-\u043a\u043e\u043c\u0443\u043d\u0438\u043a\u0430\u0446\u0438\u043e\u043d\u043d\u0438 \u0438 \u0438\u043d\u0444\u043e\u0440\u043c\u0430\u0446\u0438\u043e\u043d\u043d\u0438\n\u043d\u0430\u0443\u043a\u0438, \u0433\u043b\u0430\u0432\u0435\u043d \u0430\u0441\u0438\u0441\u0442\u0435\u043d\u0442 \u0432 \u042e\u0433\u043e\u0437\u0430\u043f\u0430\u0434\u043d\u0438\u044f \u0443\u043d\u0438\u0432\u0435\u0440\u0441\u0438\u0442\u0435\u0442 \u201e\u041d\u0435\u043e\u0444\u0438\u0442 \u0420\u0438\u043b\u0441\u043a\u0438\u201c. \u0421\u0440\u0435\u0434\n\u043e\u0441\u043d\u043e\u0432\u043d\u0438\u0442\u0435 \u0439 \u043f\u0443\u0431\u043b\u0438\u043a\u0430\u0446\u0438\u0438 \u0441\u0430 \u043c\u043e\u043d\u043e\u0433\u0440\u0430\u0444\u0438\u044f\u0442\u0430 \u201e\u041b\u0430\u0439\u0444\u0441\u0442\u0430\u0439\u043b \u043f\u0440\u0435\u0441\u0430 \u0438 \u0436\u0435\u043d\u0441\u0442\u0432\u0435\u043d\u043e\u0441\u0442\u201c (2016),\n\u043a\u0430\u043a\u0442\u043e \u0438 \u0440\u0435\u0434\u0438\u0446\u0430 \u043d\u0430\u0443\u0447\u043d\u0438 \u0441\u0442\u0430\u0442\u0438\u0438 \u0432 \u043e\u0431\u043b\u0430\u0441\u0442\u0442\u0430 \u043d\u0430 \u043c\u0435\u0434\u0438\u0438\u0442\u0435 \u0438 \u043f\u043e\u043f\u0443\u043b\u044f\u0440\u043d\u0430\u0442\u0430 \u043a\u0443\u043b\u0442\u0443\u0440\u0430, \u0441\u0440\u0435\u0434\n\u043a\u043e\u0438\u0442\u043e \u201e\u041f\u043e\u0441\u0442\u0438\u0441\u0442\u0438\u043d\u0430\u0442\u0430 \u2013 \u043d\u043e\u0432\u0438\u0442\u0435 \u043e\u0447\u0435\u0440\u0442\u0430\u043d\u0438\u044f \u043d\u0430 \u043c\u0435\u0434\u0438\u0439\u043d\u0430\u0442\u0430 \u0440\u0435\u0430\u043b\u043d\u043e\u0441\u0442\u201c (2018), \u201eThe\nMedia Image of Refugees in the \u2018Genre\u2019 of Fake News\u201c (2018), \u201e\u0412\u044a\u043b\u0448\u0435\u0431\u043d\u0438 \u043e\u0433\u043b\u0435\u0434\u0430\u043b\u0430\n\u0441 \u0434\u043e\u0431\u0430\u0432\u0435\u043d\u0430 \u0440\u0435\u0430\u043b\u043d\u043e\u0441\u0442: \u0435\u0441\u0442\u0435\u0442\u0438\u0447\u0435\u0441\u043a\u0430\u0442\u0430 \u0438\u0433\u0440\u0430 \u0441\u044a\u0441 \u0441\u043e\u0431\u0441\u0442\u0432\u0435\u043d\u043e\u0442\u043e \u0442\u044f\u043b\u043e\u201c (2019),\n\u201e\u0414\u0438\u0433\u0438\u0442\u0430\u043b\u043d\u0430\u0442\u0430 \u0435\u0440\u0430 \u043d\u0430 \u0435\u0444\u0438\u043c\u0435\u0440\u043d\u043e\u0441\u0442\u0442\u0430: \u043f\u043e\u0441\u0442\u043e\u0431\u0440\u0430\u0437\u043d\u0438\u0442\u0435&nbsp;\n\u043d\u0430 \u0421\u043d\u0430\u043f\u0447\u0430\u0442\u201c (2018), \u201e\u041e\u0431\u0440\u0430\u0437\u0438 \u043d\u0430 \u0435\u043a\u0437\u043e\u0442\u0438\u0447\u043d\u043e\u0442\u043e \u0432 \u043f\u043e\u043f\u0443\u043b\u044f\u0440\u043d\u0430\u0442\u0430 \u043a\u0443\u043b\u0442\u0443\u0440\u0430\u201c (2017)\n\u0438 \u0434\u0440. \u041d\u0430\u0443\u0447\u043d\u0438\u0442\u0435 \u0439 \u0438\u043d\u0442\u0435\u0440\u0435\u0441\u0438 \u0441\u0430 \u0432 \u0441\u0444\u0435\u0440\u0430\u0442\u0430 \u043d\u0430 \u043c\u0435\u0434\u0438\u0438\u0442\u0435, \u043f\u043e\u043f\u0443\u043b\u044f\u0440\u043d\u0430\u0442\u0430 \u043a\u0443\u043b\u0442\u0443\u0440\u0430, \u0434\u0436\u0435\u043d\u0434\u044a\u0440\n\u0438\u0437\u0441\u043b\u0435\u0434\u0432\u0430\u043d\u0438\u044f\u0442\u0430.<\/p>\n\n\n\n<p><strong>Silvia Petrova<\/strong> is a PhD in \u201cSocial communication\nand information sciences\u201d at Sofia University, and a Chief Assistant&nbsp; Professor at Southwestern University.\nHer&nbsp; main publications include the monograph\n\u201cLifestyle Press and Femininity\u201d (2016), as well as a number of scientific\narticles in the field of media and mass culture, including \u201cPost-truth \u2013 The New Outlines of Media\nReality\u201d (2018), \u201cThe Media Image of Refugees&nbsp;\nin the \u2018Genre\u2019 of Fake News\u201d(2018), \u201cMagic Mirrors with Augmented\nReality: The&nbsp; Aesthetic&nbsp; Game&nbsp;\nwith&nbsp; Your&nbsp; Own&nbsp;\nBody\u201d (2019),\u201c The\nDigital Age of Ephemerality: Snapchat\u2019s Post-images\u201d(2018), \u201cImages of the\nExotic in The Popular Culture\u201d(2017). Her research interests are in the field of popular\nculture, media studies,\ngender studies.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u0421\u0438\u043b\u0432\u0438\u044f \u041f\u0435\u0442\u0440\u043e\u0432\u0430 POLITICAL PERFORMANCES IN THE BULGARIAN MEDIA FLOW Silvia Petrova \u041c\u0435\u0434\u0438\u0430\u043b\u043e\u0433, \u0431\u0440\u043e\u0439 10\/2021 \u0420\u0435\u0437\u044e\u043c\u0435: \u0422\u0435\u043a\u0441\u0442\u044a\u0442 \u0438\u0437\u0441\u043b\u0435\u0434\u0432\u0430 \u0432\u0440\u044a\u0437\u043a\u0430\u0442\u0430 \u043c\u0435\u0436\u0434\u0443 \u0441\u044a\u0432\u0440\u0435\u043c\u0435\u043d\u043d\u0430\u0442\u0430 \u043f\u043e\u043b\u0438\u0442\u0438\u043a\u0430 \u0438 \u043f\u043e\u043f\u0443\u043b\u044f\u0440\u043d\u0430\u0442\u0430 \u043a\u0443\u043b\u0442\u0443\u0440\u0430, \u043a\u0430\u0442\u043e \u043f\u0440\u0435\u0434\u043b\u0430\u0433\u0430 \u043a\u043e\u043d\u0441\u0442\u0440\u0443\u0438\u0440\u0430\u043d\u0435\u0442\u043e \u043d\u0430 \u043f\u043e\u043b\u0438\u0442\u0438\u0447\u0435\u0441\u043a\u0438\u044f \u201e\u0440\u0430\u0437\u043a\u0430\u0437\u201c \u0434\u0430 \u0441\u0435 \u043f\u0440\u043e\u0441\u043b\u0435\u0434\u0438 \u0432 \u0441\u044a\u043f\u043e\u0441\u0442\u0430\u0432\u043a\u0430 \u0441\u044a\u0441 \u0441\u0442\u0440\u0443\u043a\u0442\u0443\u0440\u0430\u0442\u0430 \u043d\u0430 \u0441\u0435\u0440\u0438\u0430\u043b\u0438\u0442\u0435. \u0422\u0430\u0437\u0438 \u0432\u0440\u044a\u0437\u043a\u0430 \u0441\u0435 \u043c\u0438\u0441\u043b\u0438 \u043a\u0430\u0442\u043e \u0432\u044a\u0437\u043c\u043e\u0436\u0435\u043d \u0432\u0445\u043e\u0434 \u043a\u044a\u043c \u0444\u043b\u0443\u0438\u0434\u043d\u0430\u0442\u0430 \u0438 \u0441\u0440\u0430\u0432\u043d\u0438\u0442\u0435\u043b\u043d\u043e \u0441\u043b\u0430\u0431\u043e \u0438\u0437\u0441\u043b\u0435\u0434\u0432\u0430\u043d\u0430 \u043f\u0440\u043e\u0431\u043b\u0435\u043c\u0430\u0442\u0438\u043a\u0430 \u043d\u0430 \u0444\u0435\u043d\u043e\u043c\u0435\u043d\u0430 [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-4161","post","type-post","status-publish","format-standard","hentry","category-1"],"_links":{"self":[{"href":"https:\/\/www.medialog-bg.com\/index.php?rest_route=\/wp\/v2\/posts\/4161","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.medialog-bg.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.medialog-bg.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.medialog-bg.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.medialog-bg.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=4161"}],"version-history":[{"count":6,"href":"https:\/\/www.medialog-bg.com\/index.php?rest_route=\/wp\/v2\/posts\/4161\/revisions"}],"predecessor-version":[{"id":4308,"href":"https:\/\/www.medialog-bg.com\/index.php?rest_route=\/wp\/v2\/posts\/4161\/revisions\/4308"}],"wp:attachment":[{"href":"https:\/\/www.medialog-bg.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=4161"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.medialog-bg.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=4161"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.medialog-bg.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=4161"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}