{"id":3254,"date":"2019-12-26T16:38:56","date_gmt":"2019-12-26T14:38:56","guid":{"rendered":"http:\/\/www.medialog-bg.com\/?p=3254"},"modified":"2025-02-06T11:57:43","modified_gmt":"2025-02-06T09:57:43","slug":"%d0%b6%d0%b0%d0%bd%d0%b0-%d0%bf%d0%be%d0%bf%d0%be%d0%b2%d0%b0-%d0%bc%d1%83%d0%b7%d0%b8%d0%ba%d0%b0%d0%bd%d1%82%d0%b8%d1%82%d0%b5-%d0%ba%d0%b0%d1%82%d0%be-%d1%84%d0%b5%d0%bd%d0%be%d0%b2%d0%b5-%d0%bd","status":"publish","type":"post","link":"https:\/\/www.medialog-bg.com\/?p=3254","title":{"rendered":"\u0416\u0430\u043d\u0430 \u041f\u043e\u043f\u043e\u0432\u0430. \u041c\u0443\u0437\u0438\u043a\u0430\u043d\u0442\u0438\u0442\u0435 \u043a\u0430\u0442\u043e \u0444\u0435\u043d\u043e\u0432\u0435 \u043d\u0430 \u043f\u0443\u0431\u043b\u0438\u043a\u0430\u0442\u0430. \u041e\u0431\u0440\u0430\u0437\u0438 \u043d\u0430 \u043a\u043e\u043d\u0446\u0435\u0440\u0442\u043d\u0430\u0442\u0430 \u043f\u0443\u0431\u043b\u0438\u043a\u0430 \u0438 \u043c\u0435\u0434\u0438\u0439\u043d\u0430\u0442\u0430 \u0430\u0443\u0434\u0438\u0442\u043e\u0440\u0438\u044f"},"content":{"rendered":"

MUSICIANS AS FANS OF THE AUDIENCE<\/strong>.\u00a0<\/strong>IMAGES OF THE CONCERT PUBLIC AND THE MEDIA AUDIENCE<\/strong><\/p>\n

ZHANA POPOVA<\/strong><\/p>\n

<\/p>\n\n\n

\u041e\u0442\u0432\u043e\u0440\u0435\u0442\u0435 \u0442\u0435\u043a\u0441\u0442\u0430 \u0432 pdf <\/p>\n\n\n\n

Zhana Popova_MUSICIANS AS FANS OF THE AUDIENCE<\/a>Download<\/a><\/div>\n\n\n\n

Author: Assoc. prof. Zhana Popova, PhD<\/strong><\/p>\n\n\n\n

University of Sofia ‘St. Kliment Ohridski’ (Bulgaria)<\/em><\/p>\n\n\n\n

Researcher ID:C-7703-2019<\/p>\n\n\n\n

ORCID ID:0000-0002-8786-1625<\/p>\n\n\n\n

Email: ztpopova@uni-sofia.bg<\/p>\n\n\n\n

Subject: <\/strong>Social Science<\/p>\n\n\n\n

Published by: <\/strong>Medialog<\/em><\/p>\n\n\n\n

Issue:<\/a><\/strong> 6\/2019<\/a><\/p>\n\n\n\n

Language: <\/strong>Bulgarian<\/p>\n\n\n\n

\u0420\u0435\u0437\u044e\u043c\u0435<\/strong>:  \u0418\u0437\u0441\u043b\u0435\u0434\u0432\u0430\u043d\u0435\u0442\u043e \u043d\u0430 \u043c\u0435\u0434\u0438\u0439\u043d\u0438\u0442\u0435 \u043f\u0443\u0431\u043b\u0438\u043a\u0430\u0446\u0438\u0438 \u0438 \u0442\u0432 \u043f\u0440\u0435\u0434\u0430\u0432\u0430\u043d\u0438\u044f \u0441\u043b\u0435\u0434 1989 \u0433. \u0441 \u0443\u0447\u0430\u0441\u0442\u0438\u0435\u0442\u043e \u043d\u0430 \u0435\u0434\u043d\u0430 \u043e\u043f\u0440\u0435\u0434\u0435\u043b\u0435\u043d\u0430 \u0433\u0440\u0443\u043f\u0430 \u043c\u0443\u0437\u0438\u043a\u0430\u043d\u0442\u0438 \u2013 \u043f\u0440\u0430\u0432\u0435\u0449\u0438\u0442\u0435 \u0435\u0441\u0442\u0440\u0430\u0434\u043d\u0430 \u043c\u0443\u0437\u0438\u043a\u0430 \u0442\u0432\u043e\u0440\u0446\u0438 \u2013 \u043f\u043e\u043a\u0430\u0437\u0432\u0430, \u0447\u0435 \u0438\u043c\u0430 \u043e\u0431\u043b\u0430\u0441\u0442, \u0432 \u043a\u043e\u044f\u0442\u043e \u0432\u043b\u0430\u0441\u0442\u0442\u0430 \u043d\u0430 \u043f\u0443\u0431\u043b\u0438\u043a\u0430\u0442\u0430 \u0435 \u043d\u0435\u043e\u0431\u0445\u043e\u0434\u0438\u043c\u043e\u0441\u0442, \u0437\u0430 \u0434\u0430 \u0431\u044a\u0434\u0435 \u0437\u0430\u043f\u0430\u0437\u0435\u043d\u0430 \u0432\u043b\u0430\u0441\u0442\u0442\u0430 \u043d\u0430 \u0430\u0432\u0442\u043e\u0440\u0430. \u0415\u0441\u0442\u0440\u0430\u0434\u043d\u0438\u0442\u0435 \u043c\u0443\u0437\u0438\u043a\u0430\u043d\u0442\u0438 \u0433\u043e\u0432\u043e\u0440\u044f\u0442 \u0437\u0430 \u043f\u0443\u0431\u043b\u0438\u043a\u0430\u0442\u0430 \u0441\u0438 \u043a\u0430\u0442\u043e \u0437\u0430 \u201e\u0434\u043e\u0431\u044a\u0440 \u0447\u043e\u0432\u0435\u043a\u201c; \u0437\u0430 \u0434\u0435\u0442\u0435 ,\u043a\u043e\u0435\u0442\u043e \u0442\u0440\u044f\u0431\u0432\u0430 \u0434\u0430 \u0432\u044a\u0437\u043f\u0438\u0442\u0430\u0432\u0430\u0442 \u0438 \u0443\u0447\u0430\u0442 \u043a\u0430\u043a \u0434\u0430 \u0440\u0430\u0437\u043f\u043e\u0437\u043d\u0430\u0432\u0430 \u0441\u0442\u043e\u0439\u043d\u043e\u0441\u0442\u043d\u0430\u0442\u0430 \u043c\u0443\u0437\u0438\u043a\u0430. \u0412 \u043f\u0435\u0440\u0438\u043e\u0434\u0430 1990-2017 \u0433. \u043c\u0443\u0437\u0438\u043a\u0430\u043d\u0442\u0438\u0442\u0435 \u0440\u0438\u0441\u0443\u0432\u0430\u0442 \u043d\u044f\u043a\u043e\u043b\u043a\u043e \u043e\u0441\u043d\u043e\u0432\u043d\u0438 \u043e\u0431\u0440\u0430\u0437\u0430 \u043d\u0430 \u043f\u0443\u0431\u043b\u0438\u043a\u0430\u0442\u0430: \u043d\u0430 \u0441\u0432\u0430\u0442\u0431\u0430\u0440\u0441\u043a\u0430\u0442\u0430 \u043f\u0443\u0431\u043b\u0438\u043a\u0430, \u043d\u0430 \u0440\u043e\u0434\u0438\u0442\u0435\u043b\u0438\u0442\u0435 \u0438 \u0434\u0435\u0442\u0435\u0442\u043e \u0432 \u043f\u0443\u0431\u043b\u0438\u043a\u0430\u0442\u0430, \u043d\u0430 \u043f\u0443\u0431\u043b\u0438\u043a\u0430\u0442\u0430-\u0441\u0438\u043c\u0432\u043e\u043b, \u043d\u0435\u043f\u0440\u0435\u0441\u0442\u0430\u043d\u043d\u043e \u043f\u0440\u0438\u043f\u043e\u043c\u043d\u044f\u0442 \u043e\u0431\u0440\u0430\u0437\u0430 \u043d\u0430 \u201e\u0444\u0435\u043d\u043e\u043c\u0435\u043d\u0430 \u0441\u044a\u0432\u0435\u0442\u0441\u043a\u0430 \u043f\u0443\u0431\u043b\u0438\u043a\u0430\u201c. \u0415\u0434\u0438\u043d \u043e\u0442 \u043e\u0441\u043d\u043e\u0432\u043d\u0438\u0442\u0435 \u0440\u0435\u0437\u0443\u043b\u0442\u0430\u0442\u0438 \u043e\u0442 \u0438\u0437\u0441\u043b\u0435\u0434\u0432\u0430\u043d\u0435\u0442\u043e \u0435, \u0447\u0435 \u043c\u0443\u0437\u0438\u043a\u0430\u043d\u0442\u0438\u0442\u0435 \u044f\u0441\u043d\u043e \u0440\u0430\u0437\u0433\u0440\u0430\u043d\u0438\u0447\u0430\u0432\u0430\u0442\u201e\u043a\u043e\u043d\u0446\u0435\u0440\u0442\u043d\u0430\u0442\u0430 \u043f\u0443\u0431\u043b\u0438\u043a\u0430\u201c \u0438 \u201e\u043c\u0435\u0434\u0438\u0439\u043d\u0430\u0442\u0430 \u043f\u0443\u0431\u043b\u0438\u043a\u0430\u201c \u043a\u0430\u0442\u043e \u0432\u044a\u043e\u0431\u0440\u0430\u0436\u0430\u0435\u043c\u0438 \u043e\u0431\u0449\u043d\u043e\u0441\u0442\u0438.<\/p>\n\n\n\n

\u041a\u043b\u044e\u0447\u043e\u0432\u0438 \u0434\u0443\u043c\u0438: <\/strong>\u0435\u0441\u0442\u0440\u0430\u0434\u043d\u0438 \u043c\u0443\u0437\u0438\u043a\u0430\u043d\u0442\u0438, \u0431\u044a\u043b\u0433\u0430\u0440\u0441\u043a\u0430 \u0435\u0441\u0442\u0440\u0430\u0434\u043d\u0430 \u043c\u0443\u0437\u0438\u043a\u0430, \u043c\u0435\u0434\u0438\u0438, \u043a\u043e\u043d\u0446\u0435\u0440\u0442\u043d\u0430 \u043f\u0443\u0431\u043b\u0438\u043a\u0430, \u043c\u0435\u0434\u0438\u0439\u043d\u0430 \u0430\u0443\u0434\u0438\u0442\u043e\u0440\u0438\u044f, \u043d\u0430\u0446\u0438\u044f<\/p>\n\n\n

<\/p>\n

Summary: <\/strong>The research of the media publications and TV shows after 1989 with the participation of a certain group of musicians – the artists making Estrada – shows that there is an area where the power of the audience is a necessity that preserves the power of the author. The Estrada musicians describe their audience as a \u201cgood person\u201d or a child, they need to teach how to recognize valuable music. In the period 1990 – 2017 the musicians draw a couple of key images of the audience: the weddings audience, the parents and the child in the audience, the supranational symbol, the constantly reminded image of the \u201cphenomenon soviet audience\u201d. A key finding of the research is that the musicians clearly distinguish between \u201cconcert audience\u201d and \u201cmedia audience\u201d as imaginary communities.<\/p>\n\n\n

Key words<\/strong>: Estrada musicians, Bulgarian estrada music, media, concert public, media audience<\/p>\n\n\n\n

\u0410\u0432\u0442\u043e\u0440:<\/strong> \u0434\u043e\u0446. \u0434-\u0440 \u0416\u0430\u043d\u0430 \u041f\u043e\u043f\u043e\u0432\u0430<\/strong><\/p>\n\n\n\n

\u0421\u043e\u0444\u0438\u0439\u0441\u043a\u0438 \u0443\u043d\u0438\u0432\u0435\u0440\u0441\u0438\u0442\u0435\u0442 „\u0421\u0432. \u041a\u043b\u0438\u043c\u0435\u043d\u0442 \u041e\u0445\u0440\u0438\u0434\u0441\u043a\u0438“ (\u0411\u044a\u043b\u0433\u0430\u0440\u0438\u044f)<\/p>\n\n\n\n

Researcher ID:C-7703-2019<\/p>\n\n\n\n

ORCID ID:0000-0002-8786-1625<\/p>\n\n\n\n

Email: ztpopova@uni-sofia.bg<\/p>\n\n\n\n

\u041e\u0431\u043b\u0430\u0441\u0442:<\/strong> \u0421\u043e\u0446\u0438\u0430\u043b\u043d\u0438 \u043d\u0430\u0443\u043a\u0438<\/p>\n\n\n\n

\u0421\u043f. \u041c\u0435\u0434\u0438\u0430\u043b\u043e\u0433<\/a><\/p>\n\n\n\n

\u0411\u0440\u043e\u0439:<\/a><\/strong>\u00a06\/2019<\/a><\/p>\n\n\n\n

<\/p>\n\n\n\n

\u0418\u0417\u041f\u041e\u041b\u0417\u0412\u0410\u041d\u0410 \u041b\u0418\u0422\u0415\u0420\u0410\u0422\u0423\u0420\u0410
\u0410\u041d\u0413\u0415\u041b\u041e\u0412, \u0410\u043d\u0442\u043e\u043d (2015). \u041c\u0430\u0441\u043e\u0432\u0430 \u043a\u0443\u043b\u0442\u0443\u0440\u0430 \u0438 \u043a\u0443\u043b\u0442\u0443\u0440\u0430 \u0437\u0430 \u043c\u0430\u0441\u0438\u0442\u0435. (\u0418\u043d\u0441\u0442\u0438\u0442\u0443\u0446\u0438\u043e\u043d\u0430\u043b\u0435\u043d
\u043a\u043e\u043d\u0442\u0440\u043e\u043b \u0432\u044a\u0440\u0445\u0443 \u043f\u043e\u043f\u0443\u043b\u044f\u0440\u043d\u0430\u0442\u0430 \u043c\u0443\u0437\u0438\u043a\u0430 \u0432 \u0441\u043e\u0446\u0438\u0430\u043b\u0438\u0441\u0442\u0438\u0447\u0435\u0441\u043a\u0430 \u0411\u044a\u043b\u0433\u0430\u0440\u0438\u044f, \u043a\u043e\u043d\u0446\u0435\u043f\u0442\u0443\u0430\u043b\u043d\u0438 \u043c\u043e\u0434\u0435\u043b\u0438,
\u043f\u0440\u0430\u043a\u0442\u0438\u043a\u0430 \u0438 \u0441\u043e\u0446\u0438\u0430\u043b\u0435\u043d \u043a\u043e\u043d\u0442\u0435\u043a\u0441\u0442, 50-\u0442\u0435-70-\u0442\u0435 \u0433\u043e\u0434\u0438\u043d\u0438). \u0414\u0438\u0441\u0435\u0440\u0442\u0430\u0446\u0438\u044f, 3.1 \u201c\u0421\u043e\u0446\u0438\u043e\u043b\u043e\u0433\u0438\u044f,
\u0430\u043d\u0442\u0440\u043e\u043f\u043e\u043b\u043e\u0433\u0438\u044f \u0438 \u043d\u0430\u0443\u043a\u0438 \u0437\u0430 \u043a\u0443\u043b\u0442\u0443\u0440\u0430\u0442\u0430\u201d, \u0421\u0423 \u201c\u0421\u0432. \u041a\u043b\u0438\u043c\u0435\u043d\u0442 \u041e\u0445\u0440\u0438\u0434\u0441\u043a\u0438\u201d. \u0421\u043e\u0444\u0438\u044f. [Angelov, Anton
(2015). Masova kultura i kultura za masite. (Institutsionalen control varhu populyarnata muzika
v sotsialisticheska Balgariya, kontseptualni modeli, praktika i sotsialen kontekst 50-te-70-te
godini. Disertatsia.]
\u0414\u0415\u042f\u041d\u041e\u0412\u0410, \u041b\u0438\u043b\u044f\u043d\u0430 (2009). \u041e\u0447\u0435\u0440\u0442\u0430\u043d\u0438\u044f \u043d\u0430 \u043c\u044a\u043b\u0447\u0430\u043d\u0438\u0435\u0442\u043e: \u0438\u0441\u0442\u043e\u0440\u0438\u0447\u0435\u0441\u043a\u0430 \u0441\u043e\u0446\u0438\u043e\u043b\u043e\u0433\u0438\u044f \u043d\u0430
\u043a\u043e\u043b\u0435\u043a\u0442\u0438\u0432\u043d\u0430\u0442\u0430 \u043f\u0430\u043c\u0435\u0442. \u0421\u043e\u0444\u0438\u044f: \u201e\u041a\u0440\u0438\u0442\u0438\u043a\u0430 \u0438 \u0445\u0443\u043c\u0430\u043d\u0438\u0437\u044a\u043c\u201c [Deyanova, Lilyana (2009).
Ochertaniya na malchanieto: istoricheska sotsiologiya na kolektivnata pamet. Sofia: \u201aKritika i
humanizam\u2018]
\u0414\u0418\u041c\u041e\u0412, \u0412\u0435\u043d\u0446\u0438\u0441\u043b\u0430\u0432 (2001). \u0415\u0442\u043d\u043e\u043f\u043e\u0431\u0443\u043c\u044a\u0442. \u0421\u043e\u0444\u0438\u044f: \u0417\u0432\u0435\u0437\u0434\u0430\u043d. [Dimov, Ventsislav (2001).
Etnopobumat. Sofia: Zvezdan]
\u0414\u0418\u041c\u041e\u0412, \u0412\u0435\u043d\u0446\u0438\u0441\u043b\u0430\u0432 (2019). \u041c\u0443\u0437\u0438\u043a\u0430\u0442\u0430 \u0437\u0430 \u043d\u0430\u0440\u043e\u0434\u0430 \u043d\u0430 \u043c\u0435\u0434\u0438\u0439\u043d\u0438\u044f \u0444\u0440\u043e\u043d\u0442. [Dimov, Ventsislav
(2019). Muzikata za naroda na mediyniya front. Sofia: Universitetsko izdatelstvo \u2018St. Kl.
Ohridski\u2019]
\u0414\u0418\u0427\u0415\u0412, \u0418\u0432\u0430\u0439\u043b\u043e (2011). \u0424\u0440\u0430\u0433\u043c\u0435\u043d\u0442\u0438\u0440\u0430\u043d\u0435\u0442\u043e \u043d\u0430 \u0430\u0432\u0442\u043e\u0440\u0430 \u0432 \u043c\u0440\u0435\u0436\u0430\u0442\u0430. \u0421\u0435\u043c\u0438\u043d\u0430\u0440_\u0411\u0413, \u0431\u0440. 6\/2011
\u0414\u043e\u0441\u0442\u044a\u043f\u0435\u043d \u043d\u0430: https:\/\/www.seminar-bg.eu\/spisanie-seminar-bg\/broy6\/item\/335- %B02.html
[Dichev, Ivaylo (2011). Fragmentiraneto na avtora v mrezhata. Seminar_BG,br. 6\/2011]
\u0414\u0418\u0427\u0415\u0412, \u0418\u0432\u0430\u0439\u043b\u043e (2016). \u041a\u0443\u043b\u0442\u0443\u0440\u0430\u0442\u0430 \u043a\u0430\u0442\u043e \u0434\u0438\u0441\u0442\u0430\u043d\u0446\u0438\u044f. \u0415\u0434\u0438\u043d\u0430\u0434\u0435\u0441\u0435\u0442 \u0435\u0441\u0435\u0442\u0430 \u043f\u043e \u043a\u0443\u043b\u0442\u0443\u0440\u043d\u0430
\u0430\u043d\u0442\u0440\u043e\u043f\u043e\u043b\u043e\u0433\u0438\u044f. \u0421\u043e\u0444\u0438\u044f: \u0423\u0418 \u201e\u0421\u0432. \u041a\u043b. \u041e\u0445\u0440\u0438\u0434\u0441\u043a\u0438\u201c. [Dichev, Ivaylo (2016). Kulturata kato
distantsiya. Edinadeset eseta po kulturna antropologiya. Sofia: Universitetsko izdatelstvo \u2018St. Kl.
Ohridski\u2019]
\u0415\u041b\u0415\u041d\u041a\u041e\u0412, \u0418\u0432\u0430\u043d (2008). \u041a\u0443\u043b\u0442\u0443\u0440\u043d\u0438\u044f\u0442 \u0444\u0440\u043e\u043d\u0442. \u0411\u044a\u043b\u0433\u0430\u0440\u0441\u043a\u0430\u0442\u0430 \u043a\u0443\u043b\u0442\u0443\u0440\u0430 \u043f\u0440\u0435\u0437 \u0435\u043f\u043e\u0445\u0430\u0442\u0430 \u043d\u0430
\u043a\u043e\u043c\u0443\u043d\u0438\u0437\u043c\u0430 \u2013 \u043f\u043e\u043b\u0438\u0442\u0438\u0447\u0435\u0441\u043a\u043e \u0443\u043f\u0440\u0430\u0432\u043b\u0435\u043d\u0438\u0435, \u0438\u0434\u0435\u043e\u043b\u043e\u0433\u0438\u0447\u0435\u0441\u043a\u0438 \u043e\u0441\u043d\u043e\u0432\u0430\u043d\u0438\u044f, \u0438\u043d\u0441\u0442\u0438\u0442\u0443\u0446\u0438\u043e\u043d\u0430\u043b\u043d\u0438
\u0440\u0435\u0436\u0438\u043c\u0438. \u0421\u043e\u0444\u0438\u044f: \u0418\u0418\u0411\u041c, \u0421\u0438\u0435\u043b\u0430. [Elenkov, Ivan (2008). Kulturniyat front. Balgarskata kultura
prez epohata na komuzma \u2013 politichesko upravlenie, ideologicheski osnovaniya, institutsionalni
rezhimi. Sofia: IIBM, Siela]
\u041b\u0418\u041b\u041e\u0412\u0410, \u0414\u0435\u0441\u0438\u0441\u043b\u0430\u0432\u0430 (2011). \u041b\u0438\u0442\u0435\u0440\u0430\u0442\u0443\u0440\u0430\u0442\u0430 \u043e\u043d\u043b\u0430\u0439\u043d: \u043f\u043e\u0434\u0440\u0438\u0432\u043d\u0438\u0442\u0435 \u043f\u0440\u0430\u043a\u0438\u0442\u043a\u0438 \u043d\u0430 \u0444\u0435\u043d\u0444\u0438\u043a\u0448\u044a\u043d\u0430.
Seminar_BG, \u0431\u0440. 6\/2011 \u0414\u043e\u0441\u0442\u044a\u043f\u043d\u043e \u043d\u0430: https:\/\/www.seminar-bg.eu\/spisanie-seminarbg\/broy6\/item\/332- %B0.html [Seminar_BG, br. 6\/2011]
\u041f\u0415\u0419\u0427\u0415\u0412\u0410, \u041b\u043e\u0437\u0430\u043d\u043a\u0430 (2008). \u041c\u0435\u0436\u0434\u0443 \u0421\u0435\u043b\u043e\u0442\u043e \u0438 \u0412\u0441\u0435\u043b\u0435\u043d\u0430\u0442\u0430: \u0441\u0442\u0430\u0440\u0430\u0442\u0430 \u0444\u043e\u043b\u043a\u043b\u043e\u0440\u043d\u0430 \u043c\u0443\u0437\u0438\u043a\u0430 \u043e\u0442
\u0411\u044a\u043b\u0433\u0430\u0440\u0438\u044f \u0432 \u043d\u043e\u0432\u0438\u0442\u0435 \u0432\u0440\u0435\u043c\u0435\u043d\u0430. \u0421\u043e\u0444\u0438\u044f: \u0410\u043a\u0430\u0434\u0435\u043c\u0438\u0447\u043d\u043e \u0438\u0437\u0434\u0430\u0442\u0435\u043b\u0441\u0442\u0432\u043e \u201e\u041f\u0440\u043e\u0444. \u041c\u0430\u0440\u0438\u043d \u0414\u0440\u0438\u043d\u043e\u0432\u201c.<\/p>\n\n\n\n

[Peycheva, L., 2008. Mezhdu Seloto i Vselenata: starata folklorna muzika ot Balgaria v novite
vremena. Sofia: Akademichno izdatelstvo \u2018Prof. Marin Drinov\u2019].
\u041f\u0415\u0422\u0420\u041e\u0412\u0410, \u0410\u043d\u0433\u0435\u043b\u0438\u043d\u0430 (2019). \u0418\u0434\u0435\u043e\u043b\u043e\u0433\u0438\u044f\u0442\u0430 \u0438 \u043d\u0435\u0432\u044a\u0437\u043c\u043e\u0436\u043d\u0430\u0442\u0430 \u0439 \u0442\u0440\u0430\u043d\u0441\u0444\u043e\u0440\u043c\u0430\u0446\u0438\u044f \u0432 \u043c\u0430\u0441\u043e\u0432\u043e
\u043a\u043e\u043c\u0435\u0440\u0441\u0438\u0430\u043b\u043d\u043e \u0438\u0437\u043a\u0443\u0441\u0442\u0432\u043e \u043f\u0440\u0438 \u0441\u043e\u0446\u0438\u0430\u043b\u0438\u0437\u043c\u0430. (\u041c\u0430\u0441\u043e\u0432\u0430\u0442\u0430 \u043f\u0435\u0441\u0435\u043d \u0432 \u0411\u044a\u043b\u0433\u0430\u0440\u0438\u044f 1944-1954:
\u0442\u0440\u0430\u0433\u0438\u043a\u043e\u043c\u0438\u0447\u0435\u043d \u0441\u044e\u0436\u0435\u0442). \u041c\u0435\u0434\u0438\u0430\u043b\u043e\u0433, \u0431\u0440. 5\/2019, \u0441. 93-113. \u0414\u043e\u0441\u0442\u044a\u043f\u0435\u043d \u043d\u0430: https:\/\/www.medialogbg.com\/?p=2935 [\u043f\u043e\u0441\u043b\u0435\u0434\u043d\u043e \u043f\u043e\u0441\u0435\u0442\u0435\u043d \u043d\u0430 1.09.2019] [Petrova, Angelina, 2019. Ideologiyata i
nevazmozhnata y transformatsiya v masovo komersialno izkustvo pri sotsializma. (Masovata
pesen v Balgaria 1944-1954: tragikomichen syuzhet). Medialog, br. 5\/2019, s. 93-113]
\u041f\u041e\u041f\u041e\u0412\u0410, \u0416\u0430\u043d\u0430, (2018). \u0412\u0440\u044a\u0437\u043a\u0430\u0442\u0430 \u043f\u043e\u043b\u0438\u0442\u0438\u043a\u0430 \u2013 \u0435\u0441\u0442\u0440\u0430\u0434\u043d\u0430 \u043c\u0443\u0437\u0438\u043a\u0430 \u0432 \u0431\u044a\u043b\u0433\u0430\u0440\u0441\u043a\u0438\u0442\u0435 \u0432\u0435\u0441\u0442\u043d\u0438\u0446\u0438 \u0432
\u043f\u0435\u0440\u0438\u043e\u0434\u0430 2006 \u2013 2009 \u0433. \u0413\u043e\u0434\u0438\u0448\u043d\u0438\u043a \u043d\u0430 \u0421\u043e\u0444\u0438\u0439\u0441\u043a\u0438\u044f \u0443\u043d\u0438\u0432\u0435\u0440\u0441\u0438\u0442\u0435\u0442 \u201e\u0421\u0432. \u041a\u043b\u0438\u043c\u0435\u043d\u0442 \u041e\u0445\u0440\u0438\u0434\u0441\u043a\u0438\u201c,
\u0424\u0416\u041c\u041a, \u0442\u043e\u043c 25\/2018, \u0441. 97-112. \u0421\u043e\u0444\u0438\u044f: \u0423\u0418 \u201e\u0421\u0432. \u041a\u043b. \u041e\u0445\u0440\u0438\u0434\u0441\u043a\u0438\u201c. [Popova, Zh., 2018. Vrazkata
politika-estradna muzika v balgarskite vestnitsi v perioda 2006 \u2013 2009].
\u041f\u041e\u041f\u041e\u0412\u0410, \u0416\u0430\u043d\u0430, 2019. \u0417\u0432\u0435\u0437\u0434\u0438\u0442\u0435 \u043d\u0430 \u043d\u0430\u0440\u043e\u0434\u0430. \u0417\u0430 \u043f\u0430\u0442\u0440\u0438\u043e\u0442\u0438\u0437\u043c\u0430, \u043a\u043e\u0439\u0442\u043e \u0441\u043f\u0430\u0441\u0438 \u0435\u0441\u0442\u0440\u0430\u0434\u043d\u0430\u0442\u0430
\u043c\u0443\u0437\u0438\u043a\u0430. \u041a\u0440\u0438\u0442\u0438\u043a\u0430 \u0438 \u0445\u0443\u043c\u0430\u043d\u0438\u0437\u044a\u043c, \u043a\u043d. 50, \u0431\u0440.1\/2019, \u0441. 87-104. [Popova, Zh., 2019. Zvezdite na
naroda. Za patriotizma, koyto spasi estradnata muzika.]
\u041f\u041e\u041f\u041e\u0412\u0410, \u0421\u043d\u0435\u0436\u0430\u043d\u0430 (2001). \u0421\u043e\u0446\u0438\u0430\u043b\u043d\u043e \u0432\u0440\u0435\u043c\u0435 \u0438 \u043c\u0435\u0434\u0438\u0435\u043d \u0440\u0430\u0437\u043a\u0430\u0437 1989-2000. \u0421\u043e\u0444\u0438\u044f: \u041b\u0438\u043a.
[Popova, Snezhana (2001). Sotsialno vreme i medien razkaz 1989-2000].
\u041f\u041e\u041f\u041e\u0412\u0410, \u0421\u043d\u0435\u0436\u0430\u043d\u0430 (2004). \u0420\u0430\u0434\u0438\u043e, \u043f\u0443\u0431\u043b\u0438\u043a\u0438, \u0441\u0442\u0438\u043b\u043e\u0432\u0435. \u0421\u043e\u0444\u0438\u044f: \u041b\u0438\u043a. [Popova, Snezhana
(2004). Radio, publiki, stilove. Sofia: Lik]
\u0420\u0410\u0419\u0416\u0415\u041a\u041e\u0412\u0410, \u0413\u0435\u0440\u0433\u0430\u043d\u0430 (2019). \u041d\u0435\u0432\u0438\u0434\u0438\u043c\u0438\u044f\u0442 \u0440\u043e\u043a. \u0421\u043e\u0444\u0438\u044f: \u0418\u043d\u0442\u0435\u0440\u0432\u044e \u043f\u0440\u0435\u0441.
\u0421\u041f\u0410\u0421\u041e\u0412, \u041e\u0440\u043b\u0438\u043d (2012). \u041c\u0435\u0436\u0434\u0443 \u0434\u044a\u0440\u0436\u0430\u0432\u0430\u0442\u0430 \u0438 \u043f\u043e\u043f\u0443\u043b\u044f\u0440\u043d\u0430\u0442\u0430 \u043a\u0443\u043b\u0442\u0443\u0440\u0430 \u2013 \u043f\u0440\u0435\u0432\u044a\u043f\u043b\u044a\u0449\u0435\u043d\u0438\u044f \u043d\u0430
\u043d\u0430\u0446\u0438\u043e\u043d\u0430\u043b\u0438\u0437\u043c\u0430 \u0432 \u043c\u0435\u0434\u0438\u0438\u0442\u0435. \u041a\u0440\u0438\u0442\u0438\u043a\u0430 \u0438 \u0445\u0443\u043c\u0430\u043d\u0438\u0437\u044a\u043c, \u0431\u0440. 2, \u043a\u043d. 39. [Spasov, Orlin. 2012. Mezhdu
darzhavata i populyarnata kultura]
\u0421\u0422\u0410\u0422\u0415\u041b\u041e\u0412\u0410, \u0420\u043e\u0437\u043c\u0430\u0440\u0438 (1995). \u0420\u043e\u043a, \u043f\u043e\u043f \u0438 \u0444\u043e\u043b\u043a. \u041f\u0440\u0435\u0436\u0438\u0432\u044f\u043d\u043e\u0442\u043e \u0432 \u0411\u044a\u043b\u0433\u0430\u0440\u0438\u044f 1990-1994.
\u0421\u043e\u0444\u0438\u044f: \u0438\u0437\u0434. \u201e\u0420\u0438\u0432\u0430\u201c. [Statelova, Rozmari (1995). Rok, pop i folk. Sofia; Riva]
\u0421\u0422\u0410\u0422\u0415\u041b\u041e\u0412\u0410, \u0420\u043e\u0437\u043c\u0430\u0440\u0438 (2019). \u0415\u0441\u0442\u0440\u0430\u0434\u0430 \u0438 \u0441\u043e\u0446\u0438\u0430\u043b\u0438\u0437\u044a\u043c: \u043f\u0440\u043e\u0431\u043b\u044f\u0441\u044a\u0446\u0438. \u0421\u043e\u0444\u0438\u044f: \u0420\u0438\u0432\u0430.
[Statelova, Rozmari (2019). Estrada i sotsializam: problyasatsi. Sofia: Riva]
\u0422\u0410\u0411\u0410\u041a\u041e\u0412\u0410, \u0412\u0435\u0441\u0435\u043b\u0430, \u041f\u041e\u041f\u041e\u0412\u0410, \u0421\u043d\u0435\u0436\u0430\u043d\u0430, \u041b\u041e\u0417\u0410\u041d\u041e\u0412, \u0413\u0435\u043e\u0440\u0433\u0438, \u041d\u0415\u0419\u041a\u041e\u0412\u0410, \u041c\u0430\u0440\u0438\u044f.
(2005). \u0415\u0437\u0438\u043a \u043d\u0430 \u043c\u0435\u0434\u0438\u0439\u043d\u0430\u0442\u0430 \u0440\u0435\u0433\u0443\u043b\u0430\u0446\u0438\u044f. 123 \u0442\u0435\u0440\u043c\u0438\u043d\u0430. \u0421\u043e\u0444\u0438\u044f: \u0426\u0435\u043d\u0442\u044a\u0440 \u0437\u0430 \u043d\u0435\u0437\u0430\u0432\u0438\u0441\u0438\u043c\u0430
\u0436\u0443\u0440\u043d\u0430\u043b\u0438\u0441\u0442\u0438\u043a\u0430. [Tabakova, Vesela, Popova, Snezhana, Lozanov, Georgi, Neykova, Mariya
(2005). Ezik na mediynata regulatsiya. 123 termina. Sofia: Tsentar za nezavisima zhurnalistika]
\u042f\u041a\u0418\u041c\u041e\u0412\u0410, \u041c\u0438\u043b\u0435\u043d\u0430 (2011). \u0413\u0440\u0430\u0436\u0434\u0430\u043d\u0438\u0442\u0435 \u043d\u0430 \u0440\u043e\u0434\u0438\u043d\u0430\u0442\u0430. \u041a\u0440\u0438\u0442\u0438\u043a\u0430 \u0438 \u0445\u0443\u043c\u0430\u043d\u0438\u0437\u044a\u043c, \u043a\u043d. 37, \u0431\u0440. 2,
\u0441. 39-56. [Yakimova, Milena (2011). Grazhdanite na rodinata. Kritika i humanisam, kn. 37, br. 2,
s. 39-56]
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\u0418\u0417\u041f\u041e\u041b\u0417\u0412\u0410\u041d\u0418 \u0418\u0417\u0422\u041e\u0427\u041d\u0418\u0426\u0418
\u0410\u041d\u0413\u0415\u041b\u041e\u0412, \u0411\u043e\u0440\u0438\u0441 (2010). \u041f\u0440\u043e\u0441\u0442\u043e \u041b\u0438\u043b\u0438. \u041d\u0435\u043e\u0444\u0438\u0446\u0438\u0430\u043b\u043d\u0430 \u0431\u0438\u043e\u0433\u0440\u0430\u0444\u0438\u044f. \u0421\u043e\u0444\u0438\u044f: \u0411\u0430\u043b \u041c\u0435\u0434\u0438\u044f.
[Angelov, Boris (2010). Prosto Lili. Neofitsialna biografiya. Sofia: Bal Mediya]
\u0412\u0410\u0420\u0422\u0410\u041d, \u0421\u0438\u043b\u0432\u0438 (2004). \u041c\u0435\u0436\u0434\u0443 \u0441\u044f\u043d\u043a\u0430\u0442\u0430 \u0438 \u0441\u0432\u0435\u0442\u043b\u0438\u043d\u0430\u0442\u0430. \u0421\u043e\u0444\u0438\u044f: \u0421\u043b\u044a\u043d\u0446\u0435. [Vartan, Silvi
(2004). Mezhdu syankata i svetlinata. Sofia: Slantse.]
\u0412\u0415\u041b\u0427\u0415\u0412, \u0418\u043b\u044f (2018). \u0411\u0438\u043e\u0433\u0440\u0430\u0444\u0438\u0447\u043d\u0438 \u0441\u043d\u0438\u043c\u043a\u0438. \u0414\u043e\u043a\u0443\u043c\u0435\u043d\u0442\u0430\u043b\u0435\u043d \u0440\u043e\u043c\u0430\u043d. \u0421\u043e\u0444\u0438\u044f: \u0422\u0440\u0443\u0434. [Velchev,
Ilya (2018). Biografichni snimki. Dokumentalen roman. Sofia: Trud]
\u0413\u0415\u041d\u041e\u0412, \u0413enko (1992). \u0417\u0432\u0435\u0437\u0434\u0438 \u0438 \u0441\u0435\u043d\u043a\u0438. \u041d\u0435\u0438\u0437\u0432\u0435\u0441\u0442\u043d\u043e\u0442\u043e \u0437\u0430 \u201e\u0417\u043b\u0430\u0442\u043d\u0438\u044f\u0442 \u041e\u0440\u0444\u0435\u0439\u201c. \u0421\u043e\u0444\u0438\u044f: \u041b\u0438\u0446\u0435.
[Genkov, Genko (1992). Zvezdi i senki. Neizvestnoto za \u2018Zlatniyat Orfey\u2019. Sofia: Litse]
\u0414\u0418\u041c\u0418\u0422\u0420\u041e\u0412, \u0421\u0442\u0435\u0444\u0430\u043d (2011). \u041c\u044a\u0436\u044a\u0442 \u043d\u0430 60. \u0418\u043d\u0442\u0438\u043c\u043d\u043e. \u0421\u043e\u0444\u0438\u044f: \u0422\u0440\u0443\u0434. [Dimitrof, Stefan
(2011). Mazhat na 60. Intimno. Sofia: Trud]
\u0418\u0412\u0410\u041d\u041e\u0412\u0410, \u041b\u0438\u043b\u0438 (2011). \u0418\u0441\u0442\u0438\u043d\u0430\u0442\u0430. \u041b\u0438\u043b\u0438 \u0418\u0432\u0430\u043d\u043e\u0432\u0430. \u0421\u043e\u0444\u0438\u044f: \u0421\u0438\u0435\u043b\u0430. [Ivanova, Lili (2011).
Istinata. Lili Ivanova. Sofia: Siela]
\u041a\u0410\u0420\u0410\u0414\u041e\u0427\u0415\u0412\u0410, \u0411\u043e\u0433\u0434\u0430\u043d\u0430 (2019). \u0411\u043e\u0433\u0434\u0430\u043d\u0430 \u0438 \u043d\u0430 20, \u0438 \u043d\u0430 30\u04452. \u0421\u043e\u0444\u0438\u044f: \u0416\u0430\u043d\u0435\u0442 45.
[Karadocheva, Bogdana (2019). Bogdana i na 20, i na 30×2. Sofia: Zhanet 45]
\u041a\u0418\u0420\u041e\u0412, \u0411\u0438\u0441\u0435\u0440 (2017). \u0411\u043b\u0430\u0433\u043e\u0434\u0430\u0440\u0441\u0442\u0432\u0435\u043d\u0430 \u043f\u0435\u0441\u0435\u043d. \u0421\u043e\u0444\u0438\u044f: \u0424\u043e\u043d\u0434\u0430\u0446\u0438\u044f \u201e\u0423\u0441\u0442\u043e\u0439\u0447\u0438\u0432\u043e \u0440\u0430\u0437\u0432\u0438\u0442\u0438\u0435 \u0437\u0430
\u0411\u044a\u043b\u0433\u0430\u0440\u0438\u044f\u201c. [Kirov, Biser (2017) Blagodarstvena pesen. Sofia: Fondatsia \u2018Ustoychivo razvitie za
Balgaria\u2019]
\u041f\u041e\u041f\u041e\u0412, \u0420\u0430\u0437\u0432\u0438\u0433\u043e\u0440 (2010). \u0410\u0443-\u0443, \u043e\u0442 \u0433\u043b\u0430\u0434 \u0443\u043c\u0438\u0440\u0430\u043c! \u0421\u043e\u0444\u0438\u044f: \u041f\u0440\u043e\u043f\u0435\u043b\u0435\u0440. [Popov, Razvigor
(2010). Au-u, ot glad umiram! Sofia: Propeler]
\u0429\u0415\u0420\u0415\u0412, \u041c\u0438\u0442\u043a\u043e (2010). \u0417\u0430\u0431\u0440\u0430\u0432\u0438\u0445 \u0441\u0438 \u0447\u0430\u0441\u043e\u0432\u043d\u0438\u043a\u0430 \u043d\u0430 \u043f\u0438\u0430\u043d\u043e\u0442\u043e. \u0421\u043e\u0444\u0438\u044f: \u041f\u0440\u0435\u0441. [Shterev, Mitko
(2010). Zabravih si chasovnika na pianoto. Sofia: Press.<\/p>\n","protected":false},"excerpt":{"rendered":"

MUSICIANS AS FANS OF THE AUDIENCE.\u00a0IMAGES OF THE CONCERT PUBLIC AND THE MEDIA AUDIENCE ZHANA POPOVA \u041e\u0442\u0432\u043e\u0440\u0435\u0442\u0435 \u0442\u0435\u043a\u0441\u0442\u0430 \u0432 pdf  Author: Assoc. prof. Zhana Popova, PhD University of Sofia ‘St. Kliment Ohridski’ (Bulgaria) Researcher ID:C-7703-2019 ORCID ID:0000-0002-8786-1625 Email: ztpopova@uni-sofia.bg Subject: Social Science Published by: Medialog Issue: 6\/2019 Language: Bulgarian \u0420\u0435\u0437\u044e\u043c\u0435:  \u0418\u0437\u0441\u043b\u0435\u0434\u0432\u0430\u043d\u0435\u0442\u043e \u043d\u0430 \u043c\u0435\u0434\u0438\u0439\u043d\u0438\u0442\u0435 \u043f\u0443\u0431\u043b\u0438\u043a\u0430\u0446\u0438\u0438 \u0438 \u0442\u0432 \u043f\u0440\u0435\u0434\u0430\u0432\u0430\u043d\u0438\u044f \u0441\u043b\u0435\u0434 1989 […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-3254","post","type-post","status-publish","format-standard","hentry","category-1"],"_links":{"self":[{"href":"https:\/\/www.medialog-bg.com\/index.php?rest_route=\/wp\/v2\/posts\/3254","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.medialog-bg.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.medialog-bg.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.medialog-bg.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.medialog-bg.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3254"}],"version-history":[{"count":10,"href":"https:\/\/www.medialog-bg.com\/index.php?rest_route=\/wp\/v2\/posts\/3254\/revisions"}],"predecessor-version":[{"id":5392,"href":"https:\/\/www.medialog-bg.com\/index.php?rest_route=\/wp\/v2\/posts\/3254\/revisions\/5392"}],"wp:attachment":[{"href":"https:\/\/www.medialog-bg.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3254"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.medialog-bg.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3254"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.medialog-bg.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3254"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}